Hi Richard,
I scan a lot of b/w film on both 1640XL Epson and Nikon 8000ED, with great results. I recently worked with the TechPan and did all scans at 16bit grey scale. Got very nice and smooth tones using OEM drivers. If you haven't tried 16 bit settings at 4000dpi do that. Before printing I sometimes even add a bit of a filmgrain to the image, to get the right "feel" of it. The TP is so extremely fine that high end scanners pullls out to much information which can also have a negative effect. Then I would try to go down in dpi and then scan RAW and do all corrections in PS.
With tricky negs, thin old restoration negs for example, I scan in RGB and then work them in duotone mode, before converting to greyscale.
I hope this helped a bit, there are so many different solutions out there.
Regards,
Anders
Richard Smallfield <r.smallfield@...> wrote:
Hi,
a while ago, when I still was using an Epson 1660 for scanning, I got a roll of Tech Pan and was totally blown away by the tones.
Then I got a Minolta SE5400 and can't get a decent scan from TP (every other film is great) - I can't get rid of the contrast and the highlights and/or shadows are severely clipped. No frames are useable.
I'm using VueScan and if anyone can suggest settings that work with TP, I'd be forever in your debt.
In the meantime it's back to Tmax100 or T400CN.
thanks,
Richard
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