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Digital BW, The Print

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Re: [Digital BW] Tonal ranges, etc.

Re: [Digital BW] Tonal ranges, etc.

2004-11-23 by B. Campbell

>ALL negative films, with normal develpment contain far more information
than
>any paper can print without tonal compression. It's up to us to decide what
>gets printed by way of tonal compression.

Well of course I realize that negatives may contain more information than
photographic papers can print and still retain detail in both highlights and
shadows (which was why I said negatives can contain detail in zones as high
as XIII and XIV) without minus development or split development or some
other development technique to bring the highlights down so that they are
within the range of the photographic paper. But the thrust of his message
(with which I agreed) was that no special development methods were required
when scanning and printing digitally. So that being the case, I just asked
what he meant by saying that the highlights were "virtually undefined."  No
big deal, just a question about terminology.
Show quoted textHide quoted text
----- Original Message ----- 
From: <claudej1@...>
To: <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Tuesday, November 23, 2004 3:41 PM
Subject: [Digital BW] Tonal ranges, etc.



In a message dated 11/23/2004 10:11:41 AM Eastern Standard Time,
DigitalBlackandWhiteThePrint@yahoogroups.com writes:


> you can actually get up into Zones XIII or even XIV and
> still see some tonal separation in the negative) and that textire and
detail
> can be brought out in the print without minus development when you scan
and
> print digitally. So why are the highlights "virtually undefined" in this
> workflow?
>

ALL negative films, with normal develpment contain far more information than
any paper can print without tonal compression. It's up to us to decide what
gets printed by way of tonal compression.

Claude


[Non-text portions of this message have been removed]




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