Gary,
I frankly prefer to think of worms and lobsters as metameric than what I am
about to say, but here goes:
Our eyes see color in ink because not all wavelengths of light are reflected
back from the dye or pigment particle in the ink. So far so good, right?
However you can have the sensation of a given color as a result of a
discontinuous spectral reflection; meaning a combination of spectral "peaks"
that arrive at your eye and get mixed together to give you a color. Alternatively
you can have that same color (or very close to it) by a continuous "chunk" of
spectrum. Whether a given ink color reflects continuous or discontinuous
spectra wouldn't matter if we always got the same sensation and saw the
same color. But...
In order for us to see, we need light, right? Light can also be made up of a mix
of spectral frequencies, hence, for example we have different "color
temperatures", as well as different color of light itself. Once again, not all light
is made up of a smooth, continuous mix of frequencies - as the sun may be,
for example. Fluorescent lights (especially the cheap kind) are notorious for
discontinous spectra.
So, when we put inks of discontinous spectral reflections under all the
various possible light sources (sun, incandescent, fluorescent, etc) they tend
to react differently than inks with a continuous spectral makeup. The latter
hold up their color better. The ones with discontinuous spectra have a hard
time maintaining their color: they can't reflect back their particular mix of
frequencies in the same exact proportions under all the different light sources.
Hence their color appears to our eyes to shift.
I am afraid this is a very abbreviated description of a subject for which you
better look up a scientific source and not the American Heritage Dictionary!
In practical terms, it means that some color inks exhibit metamerism because
they don't hold up their color well in daylight and artificial sources. They may
have been optimized for color gamut, permanence, freedom from clogs... all
sorts of other variables, but not that particular one. It's just one more thing to
look for when judging the performance of color inks - especially if you are
trying to maintain neutrality across a gray scale.
I hope this helps - even a tiny bit.
Antonis
--- In DigitalBlackandWhiteThePrint@y..., "Gary Benson" <bensonga@g...>
wrote:
...
Ok.....well then, it goes on to define
Show quoted textHide quoted text
> metamere as: "One of a series of homologous body segments, as in
> worms and lobsters".
>
> Anyone got a better definition of metamerism at hand? Maybe from a
> complete set of the Oxford English Unabridged Dictionary 20+
> volumes? American Heritage just doesn't cut the mustard. ;-)
>
> Gary Benson
> Eagle River, Alaska