Hmmm. Not sure what 2k printing is, and I dont see a warm-1 or
neutral curve in my QTR .... but
just of the hell of it, I printed a couple images on Epson premium
glossy (gasp!), using (1) MIS eboni black and (2) the permajet oyster
cool curve at 100%. It came out cold black - BUT, I have only
printed this at 4x5 which is too small to see what huge expanses of
black really look like. I also printed the same image using Epson
premium semi-matte curve at 100%. It was noticably warmer - but not
quite the brown I am used to, so the particular print I have chosen in
probably not the best for a test, BUT, there is clear improvement
using permajet oyster and eboni ink.
--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "Steven
Karafyllakis" <steve@s...> wrote:
>
> Well, my previous experiment/post with 2k printing was partly in
> response to this problem. I had managed to get a fairly neutral B&W
by
> mixing, (if I remember) the warm-1 curve with the neutral curve.
Took a
> a few tries, everytime I shifted the curve balance I had to fine
tune
> the ink limit, etc. Printing with two neutral K inks gives you a
tone
> that's influenced only by the paper base-and if you need more color
you
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> can get into the curves that include color and go cold or moderately
> warm.
>
> Steve Karafyllakis