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Doepfer

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Message

Re: A-135-2

2007-04-13 by bellenger_a

but i mean, well I dont use keyboard so far to control synth... so I play only tweaking the 
buttons and  all thats possible to touch and move and switch, but maybe its all my way to 
play so i accept maybe there isnt sometimes this little touch of things to MANIPULATE 
PLAY MOVE a synth, or the A100 mostly because thats I use since many years already 7... 

I tried the theremis to put things on and off for example or joystick, but something I dont 
like so much... well this is all just personnal approach of this machine... and I enjoy it al  
lot already...


yep

A



--- In Doepfer_a100@yahoogroups.com, "bellenger_a" <bellenger_a@...> wrote:
>
> OK. so.
> I consider the use of A100 very different for studio works or live instrument. I really 
dont 
> use the machine the same way, not the same patch. What I call "making sounds"... I 
called 
> so to show more of a studio/composition work. Here maybe I search for really precise 
> sound, which will mix with others in the final composition. On stage, if I do lets A100 
solo 
> or if I play with a drummer lets say, I will not use A100 like I do in my studio, I will look 
for 
> some versatile patch, which offers some kinda possibilities for quick change in sound, 
> thats why I say I' am very interrested in three positions swith or any kinda switch (A140, 
> A188, A196, A145... and DualCyclotron...) because they can change sound dramatically 
> very easily...
> 
> Does this make sense at all?
> 
> 
> Best,
> 
> 
> Alexandre
> 
> > Hello Alexandre,
> >      Can you give us your picture of the distinction between these  
> > two modes?  Naturally, this involves an intimate examination of the  
> > term "musical"...
> > 
> > Alexandre wrote:
> > 
> > > I would also like to see more modules thought in the sense of using  
> > > A100 as an
> > > instrument for PLAYING music rather than only for MAKING sounds...  
> > > but I dont know, not
> > > so much interest around it seems for the moment...
> > >
> > > Best,
> > >
> > > Alexandre
> > 
> > 
> > [Non-text portions of this message have been removed]
> >
>

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