Another thing to check when using clock dividers is that some are what I call "mathematical" dividers and some are "musical" ones. I don't know which the Pamila's is. A Musical one produces clocks on the downbeat where as the math versions go on the number of clocks. Since I can't attach a graphic I will try and explain it this way:
If you are looking at the divide by four out of a Math version, the out will be like this:
0ne-two-three-FOUR-one-two-three-FOUR-one-two...etc.
on a musical one it would be:
ONE-two-three-four-ONE-two-three-four-ONE-two...etc.
When you reset a Math one all the outs go LOW, when you reset a Musical one, all the puts go HIGH. This makes a lot of difference when clocking rhythms against each other. A Math one will always seem off.
-James
James Husted, Designer, Synthwerks LLC • www.synthwerks.com • ;james@synthwerks.com • info@synthwerks.com
On Jun 4, 2014, at 6:15 AM, matthias.ochs@gmx.de [Doepfer_a100] <Doepfer_a100@yahoogroups.com> wrote:
> Try removing the hub and go straight to the A-190. Hubs are sometimes problematic and can lead to
> unexpected behavior in many different scenarios.
Yes, when I was writing my first post that occured to me to. I'll try it. Also gonna try with a MacBook...