Doepfer

Julian,
 
I would suggest that the A100 is not just analogue (after all we have
the wavetable/sampler VCO).
 
I agree that to some analogue purists, digital is a no no. I however
believe that the final sound is more important than how you get there.
 
That why I mic up Tibetan singing bowls (or just record them) through an
envelope follower and mangle the sound with my modular or using plugin's
and anything else I can get my hands on.
 
Sound is what I crave. 
 
I also prefer my tools to be as flexible and multi purpose as possible,
lots of VC sockets etc.
 
david
 
 

David Salter 
Reuters Ltd 
UKI Project Management 
Tel. +44 207 542 2402 
Fax. +44 207 542 2699 
Email. david.salter@reuters.com 
Reuters Messaging. david.salter.reuters.com@reuters.net 

	-----Original Message-----
	From: Julian [mailto:julian@22host24.com] 
	Sent: 01 July 2004 13:20
	To: Doepfer_a100@yahoogroups.com
	Subject: [spam] Re: [spam] Re: [Doepfer_a100] Re: New poll for
Doepfer_a100
	
	
	
	> An exploration into the digital realm under VC would be most
welcome.
	
	
	Digital seems, in some circles, to be a dirty word.
	
	I get the impression that digital has been looked down upon for
its
	inability to properly mimic analogue.  But i think this is
missing the
	point.
	
	Digital is, IMHO, not so good at cloning analogue, but it can do
very odd
	stuff that just cant be done (at least not even remotely easily)
in the
	analogue relm.
	
	Is the a100 an 'analogue' machine as a rule?  Or is it just a
synthesiser,
	using the best tool availible for the job?  If its an 'analogue'
ill shut
	up, but if its a synthesizer designed to offer the most
flexibility in
	whatevers the best way, then Id be most happy to see a complete
range of
	digital modules under voltage controll.  The crazier the better!
	
	Julian
	
	ps - the a-2XX range? the hundreds are running out anyway ; )
	
	
	
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