Doepfer

Florian,

 

Thanks. That helps.

 

David Salter

Senior Project Manager

Reuters Ltd

Tel       +44 20 7542 2402

Mob     +44 7990562402

email    david.salter@reuters.com <mailto:david.salter@reuters.com> 

RM       david.salter.reuters@reuters.net
<mailto:david.salter.reuters@reuters.net> 

 

  _____  

From: Doepfer_a100@yahoogroups.com [mailto:Doepfer_a100@yahoogroups.com]
On Behalf Of Florian Anwander
Sent: 08 June 2005 13:05
To: Doepfer_a100@yahoogroups.com
Subject: [spam] Re: [spam] [Doepfer_a100] New poll for Doepfer_a100

 

Hi David

> Guys, I think I understand the technical principles of how this works,
> thanks Florian/Ingo, but what I would like to understand are real
world
> applications before I vote.
The first which comes to my mind is the CV-Delay (again: see my post 
from 30th of March, which uses basically a two stage version); this 
could produce canon like melodies.

It could be used for multi channel s&h pannings or multi voice
VCA-settings.

If you do not use all outputs, example only number 2, 5, and 8 for three

different modulation destinations, you will get modulations that seem to

have no system (no one will be able to follow), but can be planned very 
well.

Florian







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