Doepfer

Hi Stu...

Iam using a soft LFO coming from my Kenton Pro Solo. It would be good if I could stick that in somewhere on the modular and get multiple LFO divisions. I like wobbling things at different rates. There are ways to do it manually but I can never get manual LFO's to sound as tight and snappy. I make rhythmically based music so tightness is pretty important.

As was mentioned I could draw in LFO control shapes in my sequencer but that brings me back to the computer and kind of stops my workflow and to be honest I just love doing things on the modular... feels more immeadiate.

I was given a few ideas in the posts and until Dieter brings out the LFO module I'll try work on them.

thanks all

Ken 

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Using A160 to divide that software LFO and then sending those division to the A143 QUAD AR/ AD module you could do exactly what you are speaking of...

Each of the 4 ARs could be triggered at a rythmic division of the soft LFO, and you would have individual control of the shape (via attack and Release/ Decay controls) and the offset.

Tony

> To: Doepfer_a100@yahoogroups.com
> From: kenneth_harte@yahoo.co.uk
> Date: Thu, 14 Feb 2008 15:45:04 +0000
> Subject: [Doepfer_a100] Re: LFO Divisions
> 
> Hi Stu...
> 
> Iam using a soft LFO coming from my Kenton Pro Solo. It would be good if I could stick that in somewhere on the modular and get multiple LFO divisions. I like wobbling things at different rates. There are ways to do it manually but I can never get manual LFO's to sound as tight and snappy. I make rhythmically based music so tightness is pretty important.
> 
> As was mentioned I could draw in LFO control shapes in my sequencer but that brings me back to the computer and kind of stops my workflow and to be honest I just love doing things on the modular... feels more immeadiate.
> 
> I was given a few ideas in the posts and until Dieter brings out the LFO module I'll try work on them.
> 
> thanks all
> 
> Ken 
> 
> [Non-text portions of this message have been removed]
> 
> 
> 
>  
> Yahoo! Groups Links
> 
> 
> 

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