That's pretty much what i am looking for / doing- an affordable resonant low pass filter that i can envelope and trigger the envelope from a MIDI trigger. The Waldorf X-Pole and Sherman filters are a little pricey for me to use on a VFX (A $500+ filter on a $150 VFX would be kinda funny). I've done some experimenting with doing it in my DAW but i'd prefer a filter. I may end up building a little analog lowpass filter as a side project just 'cause. ----- Original Message ----- From: "Joe McMahon" <joe.mcmahon@...> To: <Ensoniq-VFX-SD@yahoogroups.com> Sent: Monday, March 15, 2010 5:24 PM Subject: Re: [Ensoniq-VFX-SD] Differences between the VFX and SD-1 > On Mon, Mar 15, 2010 at 5:08 PM, Jon Carroll < > joncarroll@...> wrote: > >> >> >> Because of the music i do I'm wondering if there's a distortion hooked >> into >> >> something other than the Leslie effect.... >> >> Does the SD-1 have extra outputs or anything? I'm considering building up >> or >> buying a stereo resonant low-pass filter... >> > Same as the VFX - the two (effected) primaries and the (uneffected) > secondaries. > > I've had good experiences routing the secondaries to a Lexicon Vortex as a > now-for-something-completely-different external processor; I'd think the > resonant filter would be pretty good for this too. Extra special coolness > points if you can make the filter track the incoming MIDI note ... :) >
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Re: [Ensoniq-VFX-SD] Differences between the VFX and SD-1
2010-03-16 by Jon Carroll
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