I have done the stacking of two black artworks, does work but can be a pain to get lined up and all. Also tried printing sheet twice which sometimes lined up good and sometimes did not, normally took several trys to get one to come out with the double printing. Once I started printing in yellow ink it works Great. Yes you can kind of see thru the yellow ink but it is a filter to UV. Also set printer for Best printing and if you can adjust the amount of ink used set it to max if you can. Ben > Hey Ben, Thanks for the note on the yellow inkjet for UV ... that's > interesting. I wouldn't have guessed that yellow would be better than > black??? > > I agree, I've seen some really good TT examples that make it tempting > but it seems a lot of people really struggle with it. I tried it a few > years ago with the Pulsar TT that is easily available from DigiKey. My > results were always about the same, about 98% effective. There were > always a few spots that the toner just didn't bond well to. I also > usually got some etching at the edges. The photo process never did > this and the learning curve is only a couple of boards. Once the > exposure time is dialed in, the rest is pretty straight forward. > > I like the one tip of printing 2 artworks and then stacking them. I'm > going to give that a shot with the laser. Should eliminate pinholes > 100%. Going to try the > > btw - Just switched to DipTrace myself. So far I like it. If you > really wanted yellow, there's a program out there called GC-Prevue. > It's a gerber viewer (the viewer is free) and I think it would allow > selecting different colors for printing. Only hitch is it requires a > gerber and there's no gerbers in the free DipTrace. > Bert >
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Re: Photo exposure
2007-02-15 by Ben
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