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Echo/Spike at the End of Bounced .mp3's

Echo/Spike at the End of Bounced .mp3's

2005-02-16 by msirt@earthlink.net

I'm having  a devil of a time editing out unwanted silence at the end of mp3 tracks 
bounced from a Logic sequence.  I find that if the end point of the bounce is too close to 
the end of the audio, there occurs an echo/spike  that ruins the silence at the end of the 
track.  This happens even if the audio has reached a silent state.  it all depends on how 
much time is allowed between the end of sound and the bounce end point.  

I work in the theater where it is necessary, for theatrical audio cues to not have extended 
track time at the end of each track.  Yet adding silent time to the bounce seems to be the 
only way to avoid the 'spike'.  Funny, the spike is not heard when Logic plays the track if 
it's imported back into the program (and indeed, the 'echo' is not even visible in the audio 
track editor), yet, when it is played externally as a bounced .mp3 by software such as 
Quicktime or iTunes, the unwanted echo almost always happens if the cut-off comes too 
quickly. Does anyone know of this problem and are there any solutions available?

Btw, this is occurring in offline bouncing.  Haven't tried it in real time yet - that just may 
be the work-around, but I do prefer the offline method.

Much obliged,

Michael S.

Re: [Logic_Cafe] Echo/Spike at the End of Bounced .mp3's

2005-02-16 by GAmoore@aol.com

I'm having a devil of a time editing out unwanted silence at the end of mp3 tracks
bounced from a Logic sequence. I find that if the end point of the bounce is too close to
the end of the audio, there occurs an echo/spike that ruins the silence at the end of the
track. This happens even if the audio has reached a silent state. it all depends on how
much time is allowed between the end of sound and the bounce end point.


If you are importing the MP3s into Itunes, you can adjust the start and end there (for example, I might cut of a few seconds of intro by starting at 0:06 (6 seconds in)).

You might also try bouncing to AIFF and see if you get the same echo, and try to bouncing real time ... there have been reports of problems with offline bouncing.

What might be happening is that Logic loops around, so when you get to the end of the loop for the bounce is might load the buffer with the start of measure 1. I have had the experience of hitting PLAY and hearing a click or glitch in the beginning (where there should be silence) because logic is holding over something in a buffer from the last play.

Re: Echo/Spike at the End of Bounced .mp3's

2005-02-16 by msirt@earthlink.net

Thanks GA.  I think the next step for me would be to try a realtime bounce.  Hers's why 
some of your suggestions won't work for me.  Please comment further if I am missing any 
angles:

1) [Adjust start or end times in iTunes]:  Not enough time to do this one-by-one in a 
theatrical performance situation where cues need to be at one's fingertips (unless I'm 
unaware of  the ability for iTunes to save start & end times with each track of a playlist)

2) [Bounce to AIFF's]  Well, bye-bye HD space.  I know, I can convert the AIFF's to mp3's in 
iTunes, but wasn't Logic supposed to be the "all-audio-needs-addressed-within-a-single 
app-solution  (I don't understand why there isn't simple AIFF to mp3 conversion in Logic 
beyond bouncing (or is there))?

3) Re: the nature of the echo:  The echo does not seem to match the opening of the track, 
but rather has characteristics of the audio last heard (end of track) - like a 'hiccup' of the 
songs end (or maybe a 'burp')  Perhaps it's still some sort of buffer problem, but not 
related to cycling back to m 1.

It's comforting to hear that offline bouncing has recognized problems.  I'll just try the 
realtime approach on my next arrangement.

Thanks again,

MS


--- In Logic_Cafe@yahoogroups.com, GAmoore@a... wrote:
Show quoted textHide quoted text
> > I'm having  a devil of a time editing out unwanted silence at the end of 
> > mp3 tracks
> > bounced from a Logic sequence.  I find that if the end point of the bounce 
> > is too close to
> > the end of the audio, there occurs an echo/spike  that ruins the silence at 
> > the end of the
> > track.  This happens even if the audio has reached a silent state.  it all 
> > depends on how
> > much time is allowed between the end of sound and the bounce end point. 
> > 
> 
> If you are importing the MP3s into Itunes, you can adjust the start and end 
> there (for example, I might cut of a few seconds of intro by starting at 0:06 
> (6 seconds in)).
> 
> You might also try bouncing to AIFF and see if you get the same echo, and try 
> to bouncing real time ... there have been reports of problems with offline 
> bouncing.
> 
> What might be happening is that Logic loops around, so when you get to the 
> end of the loop for the bounce is might load the buffer with the start of 
> measure 1. I have had the experience of hitting PLAY and hearing a click or glitch 
> in the beginning (where there should be silence) because logic is holding over 
> something in a buffer from the last play.

Re: [Logic_Cafe] Re: Echo/Spike at the End of Bounced .mp3's

2005-02-16 by GAmoore@aol.com


In a message dated 2/16/05 8:48:20 AM, msirt@... writes:
1) [Adjust start or end times in iTunes]: Not enough time to do this one-by-one in a
theatrical performance situation where cues need to be at one's fingertips (unless I'm
unaware of the ability for iTunes to save start & end times with each track of a playlist)


You can adjust the start and endtime of each song in Itunes. There are actually a number of songs with distracting intros and I have fine tuned the start point. Its entirely based on time, so I play it in itunes, watch the time then stop it at the point, then put that time into the start time - sometimes needing to adjust it a bit.

) [Bounce to AIFF's] Well, bye-bye HD space.

Goodbye harddisk space but hello to CD quality. I wouldn't use MP3s for any professional application. In fact, I can't stand to listen to them other than in my ipod. If you don't have enough disk space you should get another hard disk. I have had as many as three internal drives in my G4 and I think you can put 5 or 7 in the G5's... (and you can use external firewire ddrives with powerbooks.) I picked up a second 120gb hard disk for my G4 for $50 over a year ago at Fry's (in California). They have sales and rebates every other week it seems... $110 with $50 rebate.


I know, I can convert the AIFF's to mp3's in
iTunes, but wasn't Logic supposed to be the "all-audio-needs-addressed-within-a-single
app-solution


Logic is a sequencer which the later added audio to, then mp3, etc. It wasn't designed to be all things from the beginning. I usually bounce to MP3 or better AAC in itunes. I do this all the time : I bounce rough mixes of my songs to Audio, and put them in a folder. I later burn the contents of the folder to a CD to listen in the car. Then I go to Itunes and select that folder and choose menu item CONVERT TO AAC (or MP3 ... you can change this in the Itunes preferences).



3) Re: the nature of the echo: The echo does not seem to match the opening of the track,
but rather has characteristics of the audio last heard (end of track) - like a 'hiccup' of the
songs end (or maybe a 'burp') Perhaps it's still some sort of buffer problem, but not
related to cycling back to m 1.



What I do...(if I want it to be right)... I make my song starts about bar 5 ... lets say the sequences and audio go from bar 5 to 105. Then I will set the locators to 4 to 106. Bounce that to audio. Then open that audio and trim to 5 to 105. Open the audio file in the sample editor and inspect the start point, possibly sliding the selected audio a little. Then from the sample editor window SAVE SELECTION AS AUDIO FILE. And save that to a new location. Then delete the original bounce file. (Logic should offer an option to move deleted files to the trash rather than just killing them immediately with no undo).



It's comforting to hear that offline bouncing has recognized problems. I'll just try the
realtime approach on my next arrangement.


It generally works. But occasionally I hear glitches, and it seems once every 30 off-line bounces, I get a track that is empty....several minutes of silence.

Move to quarantaine

This moves the raw source file on disk only. The archive index is not changed automatically, so you still need to run a manual refresh afterward.