----- Original Message ----- From: "jonesalley" <jonesalley@...> To: <Mellotronists@yahoogroups.com> Sent: Wednesday, March 03, 2004 6:09 AM Subject: [Mellotronists] 10cc > My understanding from reading an article contemporaneous to the album > (possibly in Rolling Stone) is that they used the multitrack recorder > almost as a fader-controlled Mellotron, with many tracks (if memory > serves, something on the order of 48 tracks just relegated to this) > each one containing one sustained vocal note, and that during > production, they just "played the faders" to bring in and fade out > specific pitches to build the harmonic structure of the song. > > I'd sure like either confirmation or supported contradiction on this. > Listening to it with smarter ears now that I'm older and have been > doing this for a while seems to confirm the likelihood of my ancient > recollection, but it would be nice to have that authenticated. That's what I've heard, too. *Definitely* not a Mellotron, anyway! Andy T.
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Re: [Mellotronists] 10cc
2004-03-03 by Andy Thompson
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