Hi Martin, Splendid idea, go for it! I think it would be good to still keep the original versions available as an alternative choice for the purists (seems to be the general consensus on here so far), but if it means being able to play without said note avoidance I'm all for correctly-tuned versions. Regards, Tony S. M400S #581 --- In Mellotronists@yahoogroups.com, tronbros@... wrote: > > Now here's one for you and we'd welcome your comments................... > > Just recently we have been asked to tune up original recordings. One > instance was the MKII Flute and the other was the MKII Brass. Both these > recordings are amongst the most popular ever in the Mellotron Song Book. > > As a policy we never mess as we hold to the opinion that all our favourite > albums were made with the sounds as they were originally recorded. However, > the tuned up versions sounded fantastic and even seasoned pedantic bastards > like us agreed that it was wonderful not to have to find chord inversions to > avoid THAT NOTE! > > Talking with Woolly Wolstenholme, he says that half his time was spent > trying to find smooth chordal progressions that kept in tune as best as possible > and he had favourite notes in the M300A violins that he tried to always avoid. > > There are so many dire notes amongst the recordings that you become over > aware of when making tapes and the temptation is to fix the buggers. So what do > you think about altering history even if the end result makes things a lot > easier to use? > > Best, > > Martin > > STREETLY ELECTRONICS - All things Mellotronic > _www.mellotronics.co.uk_ (http://www.mellotronics.co.uk/) > www.mellotronics.com > > US East Coast Agent - Jimmy Moore _JMoore6397_ (mailto:JMoore6397) @... > US West Coast Agent - Paul Cox _pjc56@..._ > (mailto:pjc56@...) >
Message
Re: Hallowed ground
2006-06-28 by eyeshouldcocoa
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