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Re: [Mellotronists] (unknown)

2004-01-28 by Andy Thompson

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From: <JMoore6397@...>
To: <mellotronists@yahoogroups.com>
Sent: Wednesday, January 28, 2004 2:37 PM
Subject: [Mellotronists] (unknown)

> This morning I heard a Springsteen song "Thunder Road" and heard mellotron
violins in the beginning. I am right in assuming that he used a mellotron on
this song as well as other recordings? Andy, what other songs do you have on
your list that Bruce used a mellotron on?
>                                     Jimmy Moore

'Thunder Road'? From 'Born to Run'? Surprising - had no idea Bruce has used
a 'Tron back then. The only thing I've got listed is 2002's 'The Rising',
although I've been told that it's completely inaudible. This seems to be
becoming endemic - the one credited track on the new Ian Anderson album has
nothing that could even possibly be 'Tron.

Sad to hear about Mel Pritchard - there was never really any hope for an
original BJH reunion, but that really scuppers it. Oh well, roll on Woolly
in March.

Andy T.

Re: [Mellotronists] (unknown)

2004-10-07 by Andy Thompson

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From: <JMoore6397@...>
To: <MELLOTRONISTS@...>
Sent: Thursday, October 07, 2004 4:51 PM
Subject: [Mellotronists] (unknown)


>
> I heard a song this morning by Bruce Springsteen called Serenade to New
York City and heard what I thought to be Mellotron strings throughout the
song. Are my ears deceiving me? Did Bruce use a mellotron for any of his
recordings?
>                                     Jimmy Moore
>                                    #285; F/X 006

I've been told there's some almost-inaudible strings on 'Countin' on a
Miracle' from 2002's 'The Rising', but I haven't been able to confirm as
yet. Any idea which album the above's from?

Andy T.

Re: [Mellotronists] (unknown)

2004-11-10 by jonesalley

>    To shed some light on this spirited thread, what are your top 10 songs 
> that are your personal favorites?


Once again, this question has no relevance to the issue under debate.  My 
personal tastes are only my personal tastes, and gosh, I happen to like 
"Lucky Man" even though it isn't a milestone of composition.  Anyone who 
thinks that they are magically able to channel great compositional skills 
without a tremendous investment of time, of analysis, of trial and error, of 
writing lots of pap, is deluded.  What is so utterly revolutionary about 
this concept?  Does anybody here feel that somebody who just learned how to 
play is going to suddenly be able to solo in modes, to exhibit hand 
independence, to be able to pull everything out of their instrument that a 
trained and rehearsed virtuoso does?

WHAT IS THE DIFFERENCE?  Either way, practice is crucial.  Are we then, to 
believe that somehow, the most esoteric of all of the practices of music, 
creation, is independent of the laws of cause and effect?  Come on folks, 
grow some skin and get real.

It seems that many people are taking this as a personal affront.  That says 
more about them than it does about my observation.  I once again invite all 
who feel that way to read my original point, SLOWLY.

Re: [Mellotronists] (unknown)

2004-12-01 by Tony

Yes as it is not good to bottle up ones feelings.
>;-(

Tony
#510
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From: <JMoore6397@...>
To: <MELLOTRONISTS@...>
Sent: Wednesday, December 01, 2004 2:17 PM
Subject: [Mellotronists] (unknown)


>
> Fritz,
>      Tell me how you really feel about the great epic Alexander. Sounds 
> like it's a wait until it's out on video?
>                                      Jimmy Moore
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Re: [Mellotronists] (unknown)

2005-01-11 by tony

My experiences with our friends in England has been nothing short of 
brilliant. Having just recently gotten back my M400 SM fully and beautifully 
(both technically and esthetically) restored by John and Martin, I can 
honestly say it's so much better than it ever was in the 29 years I have 
owned it. I'm not easily pleased, but this project was worth ever penny and 
minute of waiting several fold. They are and will remain my source of parts, 
help, friendship and laughs indefinitely!

Thanks again fellas!

Tony Moffett
Tampa, Fl USA
M400 #510 back in black

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From: <JMoore6397@...>
To: <Mellotronists@yahoogroups.com>
Sent: Monday, January 10, 2005 3:59 PM
Subject: [Mellotronists] (unknown)


>
> Well spoken Fritz!
> Brad, The same exact situation happened to me as well!!
> Streetly has been over this side of the "pond" 3 times for customer 
> oriented service, machine tune ups and "in person" parts delivery and 
> installments as documented on brother Ken Leonard's web site.
> That works for me!
>                                      Jimmy Moore
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Re: [Mellotronists] (unknown)

2005-02-22 by Andy Thompson

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From: <JMoore6397@...>
To: <MELLOTRONISTS@...>
Sent: Thursday, February 17, 2005 6:43 PM
Subject: [Mellotronists] (unknown)


>
> I have recently been listening to Tim Christenson's latest CD and find it
a great cd to listen to! Plenty of mellotron for all but his application and
orchestration he does with the mellotron is one of the best I've heard in
some time. His songs stay in your head with wonderful melody and harmonies
to boot!
>                           Jimmy Moore

His previous (and first), 'Secrets on Parade', is even better (IMHO, of
course...).

Andy T.