Most rips have a gamma adjusment. QTR has a gamma slider. For instance you can set a + or - number and use it for all the work. Gamma adjustments let you do a global lightening or darkening of the entire file without altering your initial contrast situation. If indeed all you need to do is lighten or darken that shouldn't be a problem. But like you say, when you start making curves then you are altering the look of the file. Actually I don't see why you can't leave the prints you have with this new place doing K6 and ask them to MATCH this density (what ever their technique). That should be only a matter of making very small tests of them all. You could even approve them before they were output. Or just have a couple of them done first. That is what I would suggest to a client. Fact is QTR on a 9600 and QTR on a 7000 with K6 are different ways of rendering a file. If they can't do this for you then send your files to Cirus. John --- In QuadtoneRIP@yahoogroups.com, "jimk_clgy_ab" <jim.kitchen@...> wrote: > > Dear Group, > > Please forgive me with the length of this post... > > I would like to ask the group for some advice, since I have not used an Epson 7000 and K6 > inks in the past, and I would like to briefly discuss what my workflow is presently... > > I am new to digital black and white photography, but I exhibited work in a few galleries > over twenty years ago, presenting selenium toned prints at that time. Now I have my 4X5 > black and white negatives drum scanned, and I am exploring the production of a fine art > black and white print again. > > That said, I currently have several images, where the images were originally printed on an > Epson 9600 with UC inks, and using the latest ImagePrint RIP. The gallery, representing > me at the moment, told me to not submit any images with metamersim and, or possibly a > coloured ink in the blacks, for esthetic and archival reasons. They have their rules, so I > must reprint a number of images... :) > > All of my negatives were corrected to accomodate the Epson 9600, UC inks and ImagePrint > RIP, where the Imageprint RIP has default setting of Gamma 2.2 at a specific print house in > town. This forced me to do the following with all of my images: > > 1. open my image in Photoshop; > 2. assign a Gamma of 2.2, to darken the image; > 3. make all of my adjustments in that space; > 4. remove the assigned Gamma of 2.2; > 5. save the image; > 6. reopen the image; > 7. do not assign a Gamma of 2.2; > 8. make all of the required sizing, sharpening for the image; > 9. save the file, with those adjustments, for the print house; > 10. make the print. > > Voila, the image came out exactly as displayed on my calibrated monitor. > > Now I have several images, which are too light to be printed directly to any other printer > that does not have a default setting of Gamma 2.2, unless I assign and imbed a Gamma > 2.2 into the image file. > > Recently I found a print house, to accomodate the gallery's request, that produced > exquisite images of mine, with the embedded Gamma 2.2, and that print house would be > "Cirrus" in Portland. They use an Epson 7600 and the Quad Tone Ink set, where the > printed image is set for selenium toning and printed on Hahnemuhle 308. Outstanding > work from Phil Bard, and associates, just absolutely outstanding. > > A few days ago, I ran across a lab in my home town that makes prints with an Epson 7000, > K6 inks, and they use the "BW Pro 24, 2001" software to driver the printer. Curiosity > brought me in. They printed an image of mine, embedded with the Gamma 2.2 profile, > and it printed too light, compared to the prints received from Cirrus. > > So, the owner operator of the Epson 7000, wanted to adjust the curve of the image in > Photoshop, and print it again. I did not want that to happen, since I believe that any curve > adjustment would affect the overall image in areas I did not anticipate to change. We tried > this approach anyway, and it did affect areas of the print I did not want adjusted. > > Because of this preamble, and because I have several results from a few printers and > different papers, I would like to know the following for the Epson 7000 and K6 inks: > > 1. Is there another solution and, or updated software for this printer > and ink set, that would allow the use of imbedded information? > > 2. Should I create another set of images, where the image would be > a straight through print? > > 3. Is there an esoteric method that would be brilliant and simple? > > The second point means reworking all of my images, and it is not an avenue that I > contemplate enjoying. > > But then again, I have "Cirrus and Phil Bard" as my primary source of printing. > > Again, please forgive me, regarding the length of this post... > > I'm just curious, > > > jim k >
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Re: Epson 7000 and K6 inks...
2006-02-15 by john dean
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