I've been trying to create curves for my r2400 using the following ink/paper setup: Hahnemuhle Fine Art Pearl Epson UCpk, MIS EZW Yellow, LK, & LLK. Now I know that the LK & LLK are a little different than the UC inks, a bit warmer I would think. I began by using the QUAD R2400 Ilford curves as a jumping off point. Creating the neutral/cool curve seemed to be pretty easy, as it was not using the yellow ink at all. On the other hand creating the warm curve plum eluded me. I finally designated the yellow ink to "copy from curve" K with a limit of 60. Now this did create a pleasing curve and I was able to create an almost perfectly diagonal linearization. The problem is that when I printed out a gradient test file that included concentric circles to help evaluate how smooth the linearization really was, I realized it was close, but no cigar. I then compared a gradient test pint of this ink set using the Epson ABW b&w driver. It was absolutely smoother. I can imagine a smoother gradient but not by much. In lies my conundrum. If I use QTR I can get the warmth I want, but can't seem to achieve a smooth gradation. If I use ABW I get a smooth gradation but can't get a very warm tone even when I place the settings at 5h, 72v. Can't go much higher than 72 and I'm not even getting close to the warmth I know the ink can achieve. Having printed a purge strip of the "yellow" MIS carbon ink I know it can get much warmer. Am I missing something really basic here? Any help in figuring out how to refine the QTR curves or to cause ABW to use more yellow ink would be greatly appreciated. Kevin
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2400 using UCpk, MIS llk, lk, ezw Yellow
2006-12-08 by Kevin Bradford
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