On 07/11/2007, Guy Brown <guyxbrown@...> wrote: > > Mike, > > If I understand correctly, then I print a 21-step wedge via ABW mode with > the ICC profile > set to "same as source", and then read the density values off the printed > step wedge and > use these to create a linearised ICC profile with CreateIcc. I then print > in ABW with the > profile set to the one that I generated using CreateIcc. Correct? > Yes correct. Very simple and repeatable luminosity across multiple papers. This does seem like a nice way to go. However, I'd like the option to > print split tones (e.g., > cold shadows, warm highlights) and it seems that ABW doesn't allow this, > just an overall > change in the image colour thoughout the whole tonal range. > I disagree with the general view that ABW doesn't allow split toning. Yes it doesn't have a split tone control panel, but in practice you are limited in whatever toning you do by the paper white, unless you preprint the whole page with a background colour. So what you get with ABW is a tone from paper white to whatever toning you select, so often it is effectively the same as a split tone. For example if you print on premium luster with ABW you effectively get cool highlights to neutral shadows. I am not convinced you can't replicate most moderate split tones with ABW. To get warm highlights and cool shadows you just start with a warm paper, something like Ultrasmooth and print with a cool tone setting. Same applies to QTR. Just my 2c worth. Mike Thanks again > > Guy > > > > > With the 2400 just use Epson's ABW plus QTR CreateIcc. > > Works a treat and no messing around with curves. > > > > Mike > > > > > > > [Non-text portions of this message have been removed]
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Re: [QuadtoneRIP] Re: Newbie - Epson R2400 and Hahnemuhle Fine Art Pearl
2007-11-07 by Michael King
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