I'm getting lower dmax than for matte, but if I push it too far (60%), QTR won't linearise, and if I back off part way (55%) I get the bumpy curves. 50% seems to give a reasonable compromise. I may still be able to get lower dmax with these longer drying times I'm using now. Are you really linearising your curves? I find it hard to believe that the curve creator is able to linearise with that sort of shadow compression and "inversion". And if it did somehow, surely there are blocked up shadows alongside your open highlights? Probably blocked up midtones as well. F_P --- In QuadtoneRIP@yahoogroups.com, "Michael T. Murphy" <uriel_bear@...> wrote: > > Here are my Epson K2 Photo Black values on the first 21 step chart. > You can see a couple of inversions in the L values. This is at 100%. > > This is where the "polishing your print with a cloth" technique comes > in handy. I am too lazy though, I just settled for lower K values. ;>) > > I think I wound up setting the ink limit at "55", and got a 21 step > value of "9.1" at 100. > > I was really trying to open the curves up in the highlights for > portraits though. > > > > BLACK > 1 A1 0 94.0 > 2 B1 5 69.0 > 3 C1 10 50.7 > 4 D1 15 35.0 > 5 E1 20 23.4 > 6 F1 25 16.0 > 7 G1 30 13.3 > 8 H1 35 11.5 > 9 I1 40 10.6 > 10 J1 45 10.2 > 11 K1 50 9.5 > 12 L1 55 8.7 > 13 M1 60 8.7 > 14 N1 65 8.9 > 15 O1 70 9.3 > 16 P1 75 7.4 > 17 Q1 80 7.6 > 18 R1 85 7.4 > 19 S1 90 7.3 > 20 T1 95 10.4 > 21 U1 100 6.6 > > > > Best, > Michael >
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Re: Lumpy Curve when profiling glossy paper
2008-08-04 by ferdinand_paris
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