Andrew, you are right that QTR ignores ICC profiles and color
management as we normally use it for color images. QTR just takes
the numbers in the file and sends them to the printer using the
formula and curves of your chosen profile(s).
If you edit a file in the Gray Lab workspace, you have the numbers in
the file mapped a certain way. When you convert to Gray Matte or
Gray Photo, those numbers are remapped to work better with the
dynamic range of the paper. So, the numbers in the file change, and
when QTR prints, it uses these new numbers, which hopefully match up
well with the paper being used.
On a Mac, you apparently can print directly from Photoshop. In this
case, you would Print with Preview and set up Gray Matte as your
destination profile, using perceptual and Black Point Compensation
(if printing to matte paper). This will do the conversion on the
fly. In Windows, I have to convert to the final print space first
then import that into QTR for printing.
Hope that clears it up.
Lou
--- In QuadtoneRIP@yahoogroups.com, "andrew" <andrew@a...> wrote:
> I'm using QuadTone on a Mac. For various reasons I have Photoshop on
> a Win2K PC
> instead of the Mac. I prepare the images on the PC, save as TIFF,
> grayscale, gray gamma
> 2.2. I then use Photoshop Elements on the Mac to open and print the
> image.
>
> I'm confused by the existence of the Gray Matte and Gloss ICC
> profiles. I've read that
> QuadTone ignores embedded profiles, but also that one may convert
> one's image to these
> profiles.
>
> I'd appreciate any guidance on whether these profiles, and the Gray
> Lab space, are
> applicable to my current workflow and on understanding their
function.
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>
> many thanks
>
> andrew