Hi Richard...as I recall you're using OEM pigments...if not, that's
one obvious answer.
Maybe this will help (though I don't use it for my 2200):
Lightroom "Develop" does an amazingly fine job of color conversion to
B&W (DSLR and scan) ...multiple alternative approaches, but the
one-click simplest approach is superb.
Using Lightroom color conversions and for post processing of B&W
scans, then "Editing" to my CS2 and "Printing" from CS2 , I get
extraordinarily good matches to my old Samsung 192N monitor (merely
Adoba Gamma "calibrated"). I may tweak a 4X5 printed test strip by
"+/-3" here or there in the Epson printer driver to get the tonality I
want, depending on the paper...but it's usually the same close-to-0000
setting for all files, assuming I just want a neutral or a slightly
warm print.
QTR remains my favorite for my 2200 but have given up on it with my
R800...that Lightroom/Photoshop process is sweet with R800, despite
that machine's bad B&W reputation. I'm hoping to find an 1800
somewhere so I can print 12/18 on Moab Colorado Satine Fiber...it's
gorgeous from the R800, which uses the same carts.
<smallfieldphoto@...> wrote:
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>
> Hi,
> all of a sudden, 100% blacks are printing lighter than 18% grey. The
> rest of the tones are fine, however.