This is interesting. What do you use for recording?
In fact, that might be a question for everyone on the
list. I started out with reel to reel, now I tend to
use Kyma(not exactly a system intended for multitrack,
but it's all I got in that regard).I'm too broke to
upgrade my recording system to a Protools or Logic
based system, plus my G4 is a 350mhz.
I still have a Presto reel to reel. Made in the early
60s or maybe late 50s. Floor standing, actually has a
throttle, and this huge meter, along with a tube
mixer. Itstill powers on.
What kinds of effects does folks here tend to employ?
Again, for me Kyma, using patches that tend to maybe
in the family of live sampling.
Don Hassler
--- darkstr1746@... wrote:
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In fact, that might be a question for everyone on the
list. I started out with reel to reel, now I tend to
use Kyma(not exactly a system intended for multitrack,
but it's all I got in that regard).I'm too broke to
upgrade my recording system to a Protools or Logic
based system, plus my G4 is a 350mhz.
I still have a Presto reel to reel. Made in the early
60s or maybe late 50s. Floor standing, actually has a
throttle, and this huge meter, along with a tube
mixer. Itstill powers on.
What kinds of effects does folks here tend to employ?
Again, for me Kyma, using patches that tend to maybe
in the family of live sampling.
Don Hassler
--- darkstr1746@... wrote:
> To remove all doubt as to how computer lame i am, i__________________________________
> have to report that i can't/don't know how to put up
> sound clips of the Martian war chants or anything
> else for that matter. Sorry Jan : ( I don't use
> computers for any part of my music making and the
> one i do have for web access doesn't have any kind
> of midi or audio input so i can't stuff it full of
> my inane voltage wanderings for the list to hear.
> Maybe that's a good thing. LOL Besides, it
> appears that interest in patch posting or discussion
> at any level has reached an all time low on this
> list. To wit: i put this patch up last week and
> there has been only one response..... yours. I guess
> everyone is either on vacation or they've trades in
> their modulars for software clones or big screen
> televisions and large campers. Oh well
> kind regards
> john duval
>
>
>
> -------------- Original message --------------
> Hi John,
>
> though I don't have an ASR, this makes interesing
> reading�now what about li=
> stening to it?
>
> Please, be so kind and give us a URL where we can
> listen to these "martian =
> war chants"!
>
> Thanks,
> Jan-Hinnerk
>
> --- In SergeModular@yahoogroups.com, "darkstr717"
> wrote:=
>
> > Just thought i'd contribute and confuse the
> subject of the uses for
> > the ASR module that was running here a few months
> back. was doing a
> > few experiments last night and thought a few
> people might want to
> > check this out if they haven't already.
> > patch three outputs of ASR to 1v/oct of three
> PCOs. Tune the three
> > PCOs to either unison,octaves or for some real
> fun, try any chord
> > useing the intervals 1 3 5#.
> > Patch a DTG or , as in my case, a VCClock. Left
> hand section of clock
> > (blue jack) to "sample in" and right section(red
> jack,gate out)
> > to "pulse in". Set frequency of both to 10:00.
> Double patch blue
> > outputs of each section to "vc in" of the opposit
> section... right to
> > left, left to right . Left VC in at 11:00 and
> right VC in at 1:00.
> > Set attenuator of ASR to 10:00
> > This will get you a Martian war chant on
> mescaline. I dont' find it
> > useful at all but.... take the outputs of the ASR
> and send them to a
> > Quantizer and then on to the PCO and now you have
> something. So if
> > you care to bypass the war chant, do the Quantizer
> patch first before
> > you fire it up. Of course you can introduce other
> madness from the
> > PCOs onward. I mixed the outputs (all saw waves )
> with a MIX2 to a
> > VCFQX then to a UAP (right side) Double patched
> from each of the MIX2
> > inputs to three inputs of a Cynthia Synthacon
> filter and then to the
> > left input of the UAP. Adjust to taste.
> > Playing with the attenuator of the ASR and playing
> with the frequency
> > and VC knobs on the Clock, or DTG or whatever your
> useing, is where
> > all the fun begins.I'm useing the PCO settings
> that give me the 1 3
> > 5# intervals.
> > A different approach is to use a fourth PCO as the
> input for a
> > Comparator and feeding that ouput into the "sample
> in" of the ASR.
> > Appreares to give less stable results but has
> interesting timberal
> > characteristics. I'm going to do some more fooling
> around useing the
> > TKB and a SEQ Programmer for inputs to the ASR and
> the Clock.
> > If this gets anyones juices going let me know.
> Conversly, if you all
> > think i'm wasting bandwidth, let me know that
> also. Don't want to bum
> > anyones summer groove.
> > kind regards
> > john duval
>
>
>
> Keep on Patchin'!
>
>
>
>
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