this is good.
I think the diode method works too - though I never tried it myself.
my favorite technique is to DC mix envelope and a TKB layer (like D),
then negative-bias the result to control VCA so that when layer D is 0,
you get no sound, when it's fully CW, you get full volume. This allows
'accenting' beats as well as rests and full-on notes.
alt-mode wrote:
I think the diode method works too - though I never tried it myself.
my favorite technique is to DC mix envelope and a TKB layer (like D),
then negative-bias the result to control VCA so that when layer D is 0,
you get no sound, when it's fully CW, you get full volume. This allows
'accenting' beats as well as rests and full-on notes.
alt-mode wrote:
>Hi,
>
>The way I have done this in the past is to take the output of one row
>(row D) and run it into an AND gate along with the clock signal. Turn
>the knobs of the trigger row below midway and there will be no gate for
>that step. Turning it above midway will cause a gate. No need to 'or'
>trigger outputs. Hope that helps.
>
> Eric
>
>
>