Kit descriptions, face plates
2007-06-15 by lars_arnwald
Hello,
Back in older days when one could save some money by ordering Serge
modules or panels as kits, one would then get a Kit Description
listing the actual components and how to connect different points on
the circuit board with connectors, pots, switches, etc. With little
knowledge of electronics, I went through this several times and it
never failed.
It now so happens that FATE has provided me with circuit boards of a
VCF2, Variable Bandwidth Filter, and a DSG, Dual Slope Generator.
These are left-overs from the Haight St. factory, there's a small tag
saying 83 which must have been the year operations closed down. Thus
they've been laying around unused ever since, but I see no reason why
they shouldn't work right away. Needless to say, this gift from one
the old Serge genial co-workers has filled me with great joy.
Essentially having concentrated solely on the clarinet for several
years, I've decided to revive my old combination of EWI and various
analog modules. The latter category includes a small Serge system for
processing external sounds (PRNV, REQ, VCFX, UAP), and an Oberheim
SEM. Being a musician with the focus entirely on live performance, I'm
light years from the world of multi-panel systems. Computers on stage?
Forget it, a few pedals is just fine. Still I will expand my tiny
setup with two oscillators, a formant filter. Except for some possible
effects, I'll leave the digital stuff out.
My question: Anyone has Kit Descriptions for VCF2, DSG? Also are there
any loose faceplates for these laying around, or anybody knows hot to
easily get or make them? If so get back to me privately. Please keep
in mind that I'm not asking this to discredit or disavow Rex in any
way. It just seems such a tiny project, that it's easier not to
involve him at this point. I'm sure he's got his hands full already.
BTW, speaking about the history of multipanel systems being used live.
Does anybody share my experience of having witnessed Patrick
Gleeson's Bay Area performances in 1980. Using a humonguous Emu
Modular, must have cost him millions, he had to program it with a
cassette tape deck! Of course, some bit skipped and the whole thing
went deadly mute. Luckily, his excellent cohort Lenny Pickett, of
earlier Tower Power and later Saturday Night Live fame, saved the day
with his Lyricon, much smaller Emu, and little snippets of TV signatures.
'Nuff of bandwidth now.
Regards, Lars
lars.arnwald@...
Back in older days when one could save some money by ordering Serge
modules or panels as kits, one would then get a Kit Description
listing the actual components and how to connect different points on
the circuit board with connectors, pots, switches, etc. With little
knowledge of electronics, I went through this several times and it
never failed.
It now so happens that FATE has provided me with circuit boards of a
VCF2, Variable Bandwidth Filter, and a DSG, Dual Slope Generator.
These are left-overs from the Haight St. factory, there's a small tag
saying 83 which must have been the year operations closed down. Thus
they've been laying around unused ever since, but I see no reason why
they shouldn't work right away. Needless to say, this gift from one
the old Serge genial co-workers has filled me with great joy.
Essentially having concentrated solely on the clarinet for several
years, I've decided to revive my old combination of EWI and various
analog modules. The latter category includes a small Serge system for
processing external sounds (PRNV, REQ, VCFX, UAP), and an Oberheim
SEM. Being a musician with the focus entirely on live performance, I'm
light years from the world of multi-panel systems. Computers on stage?
Forget it, a few pedals is just fine. Still I will expand my tiny
setup with two oscillators, a formant filter. Except for some possible
effects, I'll leave the digital stuff out.
My question: Anyone has Kit Descriptions for VCF2, DSG? Also are there
any loose faceplates for these laying around, or anybody knows hot to
easily get or make them? If so get back to me privately. Please keep
in mind that I'm not asking this to discredit or disavow Rex in any
way. It just seems such a tiny project, that it's easier not to
involve him at this point. I'm sure he's got his hands full already.
BTW, speaking about the history of multipanel systems being used live.
Does anybody share my experience of having witnessed Patrick
Gleeson's Bay Area performances in 1980. Using a humonguous Emu
Modular, must have cost him millions, he had to program it with a
cassette tape deck! Of course, some bit skipped and the whole thing
went deadly mute. Luckily, his excellent cohort Lenny Pickett, of
earlier Tower Power and later Saturday Night Live fame, saved the day
with his Lyricon, much smaller Emu, and little snippets of TV signatures.
'Nuff of bandwidth now.
Regards, Lars
lars.arnwald@...