And here's a cool use of sending controllers:
Uses 4 tracks.
In my case tracks 2,3,4 and 8
Track 2
No notes
Aux A Rnd Aux D (all steps)
Aux B Events to Track 3 (all steps)
Aux C Set Lstep Rel (value 1 in 1st step)
Aux D
Track 3
No notes
Aux A Grab Aux B trk 8 (all steps)
Aux B Aux D=cc#n
Aux C Events to track 4 (all steps)
Aux D
Track 4
Sequence
Track 8
Muted (doesn't matter if any notes)
Direction Random
Tbase 4
Aux B AuxD=cc#n
Use this to set the CC number for each step to specific parms you want
to reprogram on your synth. Filter, envelope, mix, effects etc.
Then play and be amazed at the transformations of your synth. Use
Sculpt and data entry to quickly setup all steps to same value (as in
events to track etc) and vary tbase of track 8 if you want faster
change of CCs. It's quite cool at 4 as you hear several changes of the
same CC before it moves on.
In this example - P3_Stoned39 - there are 3*16 steps containing the
parameter CC numbers of a Supernova with mixed tbases and also
different repetitions for each of the 3 patterns containing the
parameter numbers. So I repeat the pattern containing the parameters I
want messed with most often. It's just one sequence of the Supernoval
so a little self-indulgent (shock horror!) but you can hear how many
changes happen to the sound - and I'll be listening to more as the
afternoon progresses....
http://deepbass.demon.co.uk:81/Paul/mp3/
Paul
---
Paul Nagle / Soft Room Music
Email: paul@softroom.co.uk www.softroom.co.uk
www.BogusFocus.comMessage
Re: [analogue-sequencer] P3 Firmware v3.967
2004-08-21 by Paul Nagle
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