Analogue-sequencer

On Mon, 13 Sep 2004 20:37:58 +0100, "Colin f" <colin@colinfraser.com>
wrote:

>I can see reasons for both, and there are plenty slots in the event list
>left, so I'll leave the events that can grab any knob, add a couple more of
>those for note setting etc., but also add some that use the knobs above the
>track keys.

Lovely - and some composites? I guard my auxes carefully and am always
greedy for more.. 8)
An event to turn off the results of the knob twiddling afterwards
would be ace if you can think of a way to do it. I think I thought of
one but... maybe I forgot now....
 
>> so you have a kind of "live sculpt" for them - perhaps
>> you could hit Record and sculpt them into the track? 
>An interesting idea - it would be simple enough to add a record option where
>the upper and lower knobs above the track are recorded to auxes A and B, and
>the knobs above the part keys recorded to C and D.
>This would let you capture auxes over multiple patterns as you can do with
>play mode record for notes...

Mmmmmm

>I can't tell you how glad I'll be when the code space is finally full...
>It'll be nice to able to say, "it's finished" ;-)

It's weird but once it's finished in this way, I'll feel I can really
start pushing it. At the moment I poke about with each new feature as
it comes - rather like when you get your first few modules of a
modular synth and use them to death until you get more. When the P3 is
complete it will be like the architecture is finalised and you can
then really work the system as a whole, if that makes sense.

>The hotel should have net access, so I'll still be 'around'. Just don't
>expect any updates, I'll be drinking cocktails.

8-)

Enjoy - you deserve it man,

Paul
---
Paul Nagle / Soft Room Music
Email: paul@softroom.co.uk www.softroom.co.uk
                           www.BogusFocus.com