On Fri, 28 Jan 2005 16:09:06 -0600 (CST), bleep <bleep@waste.org>
wrote:
>> I haven't got time to go into much more detail with this at the
>> moment. Hopefully Mr Nagle will feel the urge to come up with some
>> examples ;-)
>
>that would be lovely, as i'm not even clear what these auxes do in the
>first place...
You're kidding? If this is true you're missing out on the coolest
functionality ever to hit a hardware sequencer - the ability to
sequence not just notes but sequencer parameters. By that I mean, you
can use sequences to set pattern length, to modify notes incrementally
(on each pass) to randomly select events for variations based on
probability, to select new tracks or parts, to mute or unmute other
events... man, you need to check out the manual and my user guide.
I'll add more tips later today - probably this afternoon cos I have to
dash out now.
One thing you might do it set up a sequence morph using the knobs. Set
aux row A to unmask row B>n then put a series of "set note" events
into row B. Depending on the values you dial up in row A, turning the
knob will "reveal" the set note events and transform from whatever
your pattern used to play to a new set of notes. Give it a go and
prepare for a grinny day... oh, doing it this way, the lower knob,
just above the track button, will be the one that transforms, IIRC.
Paul
---
Paul Nagle / Soft Room Music
Email: paul@softroom.co.uk www.softroom.co.uk
www.BogusFocus.comMessage
Re: [analogue-sequencer] P3 v3.986
2005-01-29 by Paul Nagle
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