I'll bet we end up talking around each other on this one because i dont have a machine yet and i'm not familiar with the "tbase" function. but what i think i get out of it leads me to this question. Can you define a different "tbase" for each note??
In order to get "and"count note trigger you would still have to have an event outside the quarter note signature... no matter how much you divided it down.. 8th/16th and so on. you can tie all day but it still remains in the quarter note world...... Hmmmmm... i smell a song title here LOL!!
am i making sense here?
Again, i think the answer to my question might lay in the understanding of the "tbase" function which i don't possess at the moment.
Or... how about this.... in one 4/4 bar; quarter/quarter/8th8th/8th8th ....??
are we on the same page now??
sorry for being such a pain in the butt. What i'm trying to do is replicate a bass line from an old Henry Mancini tune where at the end of every bar there is a "4 and " count. 1,2,3,4 and, 1,2,3,4and, 1....so on.
kind regards
john duval
Paul Nagle <softroom@btinternet.com> wrote:
On Sat, 12 Jun 2004 20:06:52 -0000, "john duval"
<darkstr1746@yahoo.com> wrote:
>I've been reading the last few posts about entering 8th and 16th
>notes etc. and one thing i'm curious about that is, it's obvious how
>to change the note values and duration but what i'd like to know is
>can the sequencer trigger notes on the "and" counts?... ie; where the
>quarter note is counted 1, 2, 3 "and" 4 "and" .... and so forth. Or
>am i so bogged down in traditional theory and thinking that i don't
>see the function or see the equivalent on the machine?
Well, a single pattern can be a maximum of 16 steps and if you tie
some notes together, some steps can be multiple lengths of others. You
can introduce Aux events that alter the tbase - for example changing a
pattern from 8 to 16 for 4 steps, changing the tbase to 32 for 4
steps, changing back to 8 for 8 steps. It's flexible but you have to
keep your brain in gear to work out what it is you want.
I've been experimenting with running two tracks on the same MIDI
channel - each at a different tbase. Then I've been using a third
track to control muting for the two other tracks and introducing
randomness so that you never quite know how the patterns will
coincide.
Paul
---
Paul Nagle / Soft Room Music
Email: paul@softroom.co.uk www.softroom.co.uk
www.BogusFocus.com
Yahoo! Groups SponsorADVERTISEMENT
---------------------------------
Yahoo! Groups Links
To visit your group on the web, go to:
http://groups.yahoo.com/group/analogue-sequencer/
To unsubscribe from this group, send an email to:
analogue-sequencer-unsubscribe@yahoogroups.com
Your use of Yahoo! Groups is subject to the Yahoo! Terms of Service.
---------------------------------
Do you Yahoo!?
Friends. Fun. Try the all-new Yahoo! Messenger
[Non-text portions of this message have been removed]