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City Skies 09 Electronic Music Festival, May 7-9, 2009

City Skies 09 Electronic Music Festival, May 7-9, 2009

2009-03-20 by Jim Combs

City Skies 09 Electronic Music Festival, May 7-9, 2009 in Decatur, GA

The 2nd Annual City Skies 09 Electronic Music Festival will be held in the Atlanta area on May 7-9, 2009.

Tickets are available online at Brown Paper Tickets:
http://www.brownpapertickets.com/producerevent/52609?prod_id=10495

Discount tickets are available for buyers of multiple days or sessions.

Purchasers of the 3 day - 4 session ticket save $18 over buying at the door.

Purchasers of the 2 day - 3 session ticket save $11 over buying at the door.

And purchasers of the All day Saturday ticket save $6 over buying at the door.

Single session tickets saves $2 over buying at the door.

Kavarna in the Oakhurst section of Decatur, GA (minutes away from Atlanta) is once again the venue for the Festival Event. Kavarna gives us a perfect vibe for the performances, with great sound and a nice selection of food and beverage for festival attendees. Kavarna is a non-smoking and all-ages venue.

The list of performers include some of the best electronic musicians from around the U.S. heard on radio stations like Music From the Hearts of Space, Echoes, Star's End, Soma FM, StillStream, Galactic Travels, and more, and are from Arkansas, Florida, Georgia, Indiana, New York, North Carolina, Pennsylvania, Tennessee, and Wisconsin.

Musical styles ranged from ambient to downtempo chillout to Berlin school to IDM to space rock to experimental. This is not a DJ event.

Real electronic music performed live by humans!

Performers and tentative schedule for the three-day event are:

Thursday, May 7, 2009
7pm- Different Skies All-stars (John Rossi III, Jonathan Mills, Kevin Haller, Jim Combs plus guests)
8pm- citizenGreen
9pm- Broken Symmetry
10pm- Tony Gerber
11pm- Masik

Friday, May 8, 2009 
7pm- Earthgirl
8pm- Kathy Raimey
9pm- aTHeNa Blue
10pm- Xeriod Entity (Howard Moscovitz, Greg Waltzer, Bill Fox)
11pm- Paul Vnuk & Klimchak

Saturday, May 9, 2009 
Afternoon session
1pm- Don Hassler
2pm- Anonymi and Elbo Jones
3-5pm- Richard Lainhart workshop- Multi-Dimensional Control for Realtime Analog Synthesis Performance*

Evening session
7pm- Mark Mahoney
8pm- Duet for Theremin & Lap Steel
9pm- Richard Lainhart
10pm- Kevin Spears & Shane Morris
11pm- Richard Devine & Joshua Kay

For more information, ticketing, and performer bios and event schedule:
http://www.cityskies.com

All proceeds from ticket sales will go to performers for this event.

Tickets are available online at Brown Paper Tickets:
http://www.brownpapertickets.com/producerevent/52609?prod_id=10495

Discount tickets are available for buyers of multiple days or sessions.

Purchasers of the 3 day - 4 session ticket save $18 over buying at the door.

Purchasers of the 2 day - 3 session ticket save $11 over buying at the door.

And purchasers of the All day Saturday ticket save $6 over buying at the door.

Single session tickets saves $2 over buying at the door.

Venue location -
Kavarna, 707 East Lake Drive, Decatur, GA 30030

Please add us as friends on MySpace and Facebook:
http://www.myspace.com/cityskiesfestival
http://www.facebook.com/pages/City-Skies-08-Electronic-Music-Festival/1083883087\8?ref=ts

*Details for Richard Lainhart workshop on Saturday afternoon May 9, 2009

Multi-Dimensional Control for Realtime Analog Synthesis Performance

The promise of electronic music has been, from the beginning, to provide the composer with the means to create his or her own unique sounds and musics without the need for intermediaries like performers and technicians. And the problem with electronic music has been, from the beginning, to endow synthesized sound with the same organic expressivity found in acoustic instruments and natural sound while making synthesizers viable performance instruments in their own right.

The first electronic instruments intended for performance, such as the Theremin and the Ondes Martenot, while providing the performer with highly nuanced pitch control, had limited sound-shaping control and could only play one note at a time. The first modular analog synthesizers, while offering polyphony - the ability to play multiple notes simultaneously - and unlimited sonic control, had limited expressive performance control and were completely impractical for live use.

There have been many attempts since then to integrate the unlimited potential of modular analog synthesis with practical performance capabilities, and to provide the electronic music composer/performer with the kind of expressive musical control available in advanced acoustic instruments. Among of the most successful and creative of these efforts are the Buchla 200e analog modular synthesizer and the Haken Continuum Fingerboard.

Buchla's 200e is the first modular analog synth with patch memory and the ability to re-route patchcords on the fly, making it an ideal instrument for performance, capable of both the highest and lowest levels of control. The Continuum is a unique multidimensional controller keyboard that senses direct finger movement in three dimensions (X, Y, and pressure) for each of up to 16 fingers, making it one of the most advanced performance controllers available today. Together, the 200e and the Continuum make for an electronic music performance system of unparalleled expressivity and sensitivity.

In his workshop, Richard will demonstrate the synthesis and control functions of the Buchla 200e with an emphasis on patch programming for maximum expressivity under Continuum control. The workshop will include a live performance focusing on the Continuum/Buchla 200e system's expressive control capabilities. Time permitting, workshop attendees will also have the opportunity to play the system themselves.

RE: [analogue-sequencer] P3 Vid

2009-03-25 by Ditton33

This is absolutely fantastic.

Sensational sounds. The subliminal complexity, and the perfunctory way you
execute it all, is a sight to behold.

The Radius blends into the P3 almost seamlessly doesn't it? I really must
look at one.

I've also oft toyed with getting an EMX to supplement my ESX - are they any
good?

The only thing better than one P3 is two. Or 3! :D

Roll on the Cirklon!
Show quoted textHide quoted text
> >-----Original Message-----
> >From: analogue-sequencer@yahoogroups.com 
> >[mailto:analogue-sequencer@yahoogroups.com] On Behalf Of Softroom
> >Sent: 25 March 2009 20:13
> >To: analogue-sequencer@yahoogroups.com
> >Subject: [analogue-sequencer] P3 Vid
> >
> >
> >First experiment with pocket camcorder...
> >
> >http://www.youtube.com/watch?v=FBAzGcmUiqM
> >
> >
> >--
> >Paul
> >---
> >http://www.SmokyFrog.com
> >http://www.JointIntelligenceCommittee.com
> >
> >
> >
> >
> >------------------------------------
> >
> >Yahoo! Groups Links
> >
> >
> >

P3 Vid

2009-03-25 by Softroom

First experiment with pocket camcorder...

http://www.youtube.com/watch?v=FBAzGcmUiqM


-- 
Paul
---
http://www.SmokyFrog.com
http://www.JointIntelligenceCommittee.com

album featuring P3

2009-03-25 by Richard Scott

Hi Guys, a bit of self promotion:

horray, my group's heavily P3 based album "Let's Make a Solar System" was finally released today on vinyl only, samples are here: Home Planitarium http://www.iniitu.net/mp3/twinkle-tk03.mp3 features a P3 bleeping and gurgling away - along with a hawiaan guitar of course! :)


http://www.iniitu.net/discography_ini_itu.htm


this is what the record label has to say about it:


"ini.itu is proud to release the first LP composed by Twinkle³. From the first sinuous tones, 

later augmented by a well-integrated mixture of acoustic instruments ( shakuachi, tremoloa, 

hang drum ), analog sequencing, processing and buchla lightning infra red wizardry, they 

sketch a (solar) system of their own, revolving around recurring themes, presented in various 

dispositions. At times nervous, lively, enthusiastically overactive ( but never frenetic ), 

evoking curious explorers still firmly rooted in melody and dubby basslines, they have the

 ability to switch off and to glide in an unexpectedly natural manner into more introspective, 

reflective and soulful moods, even sometimes venturing themselves into darker areas, where 

a sense of melancholy prevails. A journey from the flowing clear waters depicted in the cover 

( picture by Judith Goodman ) to the dark still pool from the flip and back. Even though the 

comprehension of this album is quite immediate, the astonishing musicality, beauty and 

complexity of the work allows - and even asks for - repeated listenings. Something to file next 

to Mouse on Mars' Iahora Tahiti for its freshness, and next to Ornette Colemans' output for its 

intelligence of interplay, melody and rhythms.   The band also cites the great King Sunny Ade, 

particularly his 70's output, as a real inspiration for this record, notably in the hawaiian guitar 

department, and in the use of the studio to enhance the spatial dimensions of rhythm."

thanks for reading

Richard

-- 
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[Non-text portions of this message have been removed]

Re: [analogue-sequencer] P3 Vid

2009-03-25 by Softroom

Ditton33 wrote:
> This is absolutely fantastic.
> 
> Sensational sounds. The subliminal complexity, and the perfunctory way you
> execute it all, is a sight to behold.

I often perfunct. :)

> The Radius blends into the P3 almost seamlessly doesn't it? I really must
> look at one.

The Radias rocks. This track is just Radias and Virus C with some 
electribes.

> I've also oft toyed with getting an EMX to supplement my ESX - are they any
> good?

I think I'd rather have two ESXs on balance.

> The only thing better than one P3 is two. Or 3! :D

Second one not used here though except its Play button to restart the 
stopped EMX on Gbar IIRC.

Cheers,
-- 
Paul
---
http://www.SmokyFrog.com
http://www.JointIntelligenceCommittee.com

RE: [analogue-sequencer] P3 Vid

2009-03-25 by Ditton33

I believe perfunction is legal between consenting adults.

As is self-flagellation, sorry self-modulation. :D

On a more serious note: P3, ESX, KS-Rack, Radius. Throw in the Creamware
Minimax and Prodyssey too.

No setup should be without 'em. :)
Show quoted textHide quoted text
> >-----Original Message-----
> >From: analogue-sequencer@yahoogroups.com 
> >[mailto:analogue-sequencer@yahoogroups.com] On Behalf Of Softroom
> >Sent: 25 March 2009 21:36
> >To: analogue-sequencer@yahoogroups.com
> >Subject: Re: [analogue-sequencer] P3 Vid
> >
> >I often perfunct. :)
> >

Re: P3 Vid

2009-03-26 by Jim Combs

--- In analogue-sequencer@yahoogroups.com, Softroom <softroom@...> wrote:
> The Radias rocks. This track is just Radias and Virus C with some 
> electribes.

I've probably asked this before, but watching your video brings it up again for me (especially as I contemplate veering off in new musical directions this summer), so I through this out to the group:

I currently use 2 multi-timbral synths in performance mode (a Roland JV-1080 stuffed with exp cards and a Novation SuperNova) plus two Korg Electribe drum machines (ESX-1 and ER-1) in my setup. I run the synths in parallel, both synths receiving on MIDI chans 1-8, each channel with a different patch, and just use clock to drive the drum machines. I always use channel 1 for bass sounds.

How do other folks "layout" their MIDI/Tracks/Synths? 

One thought I had was to create performance setups that use 3 MIDI channels for each of my two synths and use the other 2 channels to drive samples from the ESX-1.

Thoughts?

-Jim

At it again

2009-03-27 by Softroom

Well, it's Friday and Youtube is my new toy...

http://www.youtube.com/watch?v=hP4JVDR73ro

Heh!

-- 
Paul
---
http://www.SmokyFrog.com
http://www.JointIntelligenceCommittee.com

Re: [analogue-sequencer] At it again

2009-03-27 by RSA

It says "no longer available" for me... : (




________________________________
Show quoted textHide quoted text
From: Softroom <softroom@btinternet.com>
To: analogue-sequencer@yahoogroups.com
Sent: Friday, March 27, 2009 11:32:50 AM
Subject: [analogue-sequencer] At it again


Well, it's Friday and Youtube is my new toy...

http://www.youtube. com/watch? v=hP4JVDR73ro

Heh!

-- 
Paul
---
http://www.SmokyFro g.com
http://www.JointInt elligenceCommitt ee.com


   

[Non-text portions of this message have been removed]

Re: [analogue-sequencer] At it again

2009-03-27 by RSA

It works now...stupid youtube...anyway cool video and sounds. I'm trying to buy a P3 right now ; )

cheers,
Rob 




________________________________
Show quoted textHide quoted text
From: RSA <wiard300@yahoo.com>
To: analogue-sequencer@yahoogroups.com
Sent: Friday, March 27, 2009 12:04:51 PM
Subject: Re: [analogue-sequencer] At it again


It says "no longer available" for me... : (

____________ _________ _________ __
From: Softroom <softroom@btinternet .com>
To: analogue-sequencer@ yahoogroups. com
Sent: Friday, March 27, 2009 11:32:50 AM
Subject: [analogue-sequencer ] At it again

Well, it's Friday and Youtube is my new toy...

http://www.youtube. com/watch? v=hP4JVDR73ro

Heh!

-- 
Paul
---
http://www.SmokyFro g.com
http://www.JointInt elligenceCommitt ee.com

[Non-text portions of this message have been removed]


   

[Non-text portions of this message have been removed]

RE: [analogue-sequencer] At it again

2009-03-27 by Ditton33

Great!

Interesting you go for muting/unmuting tracks on the ESX rather than
shifting things aroung via pattern set.

Though I suppose that is more analogous to track muting/unmuting on the P3.

Also of course the amazing thing is how a keyboard is conspicuous by its
absence. Yet if you didn't see the vid you'd probably assume it was part of
the performance.

The P3 brings keyboard-type spontaneity to the domain of sequencers.

My ideal sequencer would be a P3 with (at least) 4 rows of track-edit
controllability exposed at once.
Show quoted textHide quoted text
> >-----Original Message-----
> >From: analogue-sequencer@yahoogroups.com 
> >[mailto:analogue-sequencer@yahoogroups.com] On Behalf Of Softroom
> >Sent: 27 March 2009 16:33
> >To: analogue-sequencer@yahoogroups.com
> >Subject: [analogue-sequencer] At it again
> >
> >Well, it's Friday and Youtube is my new toy...
> >
> >http://www.youtube.com/watch?v=hP4JVDR73ro
> >
> >Heh!
> >
> >--
> >Paul
> >---
> >http://www.SmokyFrog.com
> >http://www.JointIntelligenceCommittee.com
> >
> >
> >
> >
> >------------------------------------
> >
> >Yahoo! Groups Links
> >
> >
> >

Re: [analogue-sequencer] At it again

2009-03-27 by Softroom

Mark Pulver wrote:
> You're delving into Psy Trance there Mr!

Well, I did get the bass riff and kick sample from a certain Blue 
Pyramid... )

-- 
Paul
---
http://www.SmokyFrog.com
http://www.JointIntelligenceCommittee.com

Re: [analogue-sequencer] At it again

2009-03-27 by Mark Pulver

You're delving into Psy Trance there Mr!

----
Softroom (08:32 AM 3/27/2009) wrote:
Show quoted textHide quoted text
 >Well, it's Friday and Youtube is my new toy...
 >
 >http://www.youtube.com/watch?v=hP4JVDR73ro
 >
 >Heh!
 >
 >--
 >Paul
 >---
 >http://www.SmokyFrog.com
 >http://www.JointIntelligenceCommittee.com
 >
 >
 >
 >
 >------------------------------------
 >
 >Yahoo! Groups Links
 >
 >
 >

Re: P3 Vid

2009-03-29 by duncan

>>First experiment with pocket camcorder..<<

what one did y'go for in the end? spent ages debating this meself, ended up with nat-pan sdr-s26, take the damn thing everywhere with me now. got a 0.45 wide for it too.

uh.... [goes back to lurk]

duncan

Re: [analogue-sequencer] Re: P3 Vid

2009-03-29 by Softroom

duncan wrote:
>>> First experiment with pocket camcorder..<<
> 
> what one did y'go for in the end? spent ages debating this meself, ended up with nat-pan sdr-s26, take the damn thing everywhere with me now. got a 0.45 wide for it too.

I spent way less than ages and bought a Flip video. Easy peasy to work 
and I can even fix it to my bike. Expect manicly speeded-up techno 
versions of my journey to work anyday now... :)

-- 
Paul
---
http://www.SmokyFrog.com
http://www.JointIntelligenceCommittee.com

Re: [analogue-sequencer] Re: P3 Vid

2009-03-29 by Nick Rothwell

On 29 Mar 2009, at 12:51, Softroom wrote:

> Easy peasy to work
> and I can even fix it to my bike. Expect manicly speeded-up techno
> versions of my journey to work anyday now... :)

Looking forward to your version of Streethawk, complete with footage.

	-- N.


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