>>As a prospective owner, I would really like to see all the discussions being held, even if I can't post there.<<
I'm sure colin's thought about this.... thing is, there's quite a lot of stuff for him to deal with already... I'm not sure what the answer is unless he manages to find time to come here more often. this is, after all, a generically-named group that just happens to be mostly about the P3. it says "cirklon" up there aswell now, I notice.
>>Regarding negative offset, the pattern should not 'wrap' the first note to the end, the sequencer should just play the pushed note before the start of the bar - IOW it needs to look forward and see if any notes are set to play at the start of the bar, with a negative offset.<<
yes, but how does it anticipate you pushing "go"? :-)
>>Regarding groove and swing, I think just having some templates would be good, either user made or preset. Is swing implemented or not?<<
yes, it is, at track level. which means it affects all the patterns in a track, rather than individual patterns.
what I was getting at was more to do with the cirklon patterns, which are entered by live-recording & can be edited with a grid-view.
you can, of course, quantise these so that your keyboard or drumpad fumblings are pulled towards the gridlines to a greater or lesser degree, so that they are properly in time with step-entered P3 patterns.
what I wanted to do was the exact opposite, using the same underlying technique, to "unquantise" the P3 parts, & to match the timing of multiple cirklon parts to a single "groove template" derived from whatever cirklon pattern you regard as having the essential feel for a song.
I think there's some mileage in this, especially if the master cirklon part is a percussion/drum part & has a particular groove to it that you'd like the other "instruments" to follow. I also think it would be a unique feature of this hardware. is there a s/w sequencer that lets you do this? logic, maybe?
d.