Well you guys were right on in regard to media settings. I tried a bunch of them. There is a big difference there. I was using two of the fine art paper settings for the 10K - smooth and textured and they were pretty low. When I tried the Water Color setting out of PFP AND dried the black patches completely, I'm getting a dmax of 1.67 on Photorag as my highest reading! That is amazing out of RGB with no rip to control ink limits, and the midtones and highlights are beautiful. I have only been getting 1.68 with K6 on Photorag on the other machines with a linearized rip, and that is on the high end of what people are getting with K7. I'll know more in a week or so but this looks very good to me now. John > > > An RGB printer profile just controls what mix of R, G, and B is sent to the > printer. It doesn't define how black black is, thats a media setting choice. So > choose a media setting that offers a deeper black, if one exists. RIPs allow > you to define rich blacks (black in plus other components), and control ink > limits on each ink channel, which are among the reasons people use them. If you > can create an inkset where ink cart black, at an available media setting, is > black enough, than all that becomes unnecessary. But if you can't... then thats > where the advanced functions come into play. > > C. David Tobie > Product Technology Manager > ColorVision Business Unit > Datacolor Inc. > CDTobie@... > www.colorvision.com > > > ************************************** > See what's free at > http://www.aol.com. >
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Re: PFP 10K and Six Mono Inks
2007-04-05 by john dean
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