I get clipped shadows > on the monitor ( CS3 soft proof) and on the print. This manifests > itself as jet black patches/blotches in the darkest areas of the print. Hello! Another good thing to check, is if you're using the right media setting to print your target. The best media setting to start with when printing with canvas is "Watercolour Paper - Radiant White". It may look strange but it is a plain fact. If you don't use the right media setting, then your printed target can be far from the ideal, causing some problem in the profile at the generation step. Of course, we're speaking of extreme case here. While it is very rare to get a bad profile with S3Print, I have seen situation similar to yours with canvas when the media setting was really wrong or canvas print quality was very bad (clogged) in the dark tones (usually due to a poor quality coating used on the canvas). I would suggest that you print the S3Print quality check target et that you complete the media setting quality steps and be sure that you get a decent print. You may also have to play with ink density setting in the 9800's driver. When you will be sure that you're going to print the best possible target (not clogged in dark tones), then go with it, print it, let it dry completely (a good 2-4 hours). Use the 225 patches + grayscale target. Many canvas on the market doesn't print very well in dark tones. You should get a very decent profile with 225patches + gray, with S3Print and then if you want ultimate accuracy you can use 729 patches + gray later. I routinely created profiles for canvas with S3Print software and I get great results. As long as you print on a decent quality canvas and use the correct media setting/ink density, it will work. Daniel Vézina Numart Inc. QC, Canada
Message
Re: Black Point Compensation
2008-08-09 by dvrrq
Attachments
- No local attachments were found for this message.