On Feb 12, 2009, at 10:18 AM, wsolum wrote: > I realize I'm in a datacolor group but the question I'm asking is > general, not product specific. Sorry if that causes any problems. No problem. Its certainly better than asking product specific questions, about some other company's products. : ) > > > I shoot in RAW and use LR/ACR to post process. That all matches my own process, and if you are the person who was using a Canon 5D, that matches my own flow as well (though the 5D Mark II has now replaced the original 5D for me). > The red/magenta > problem is most notable on caucasian subjects when shooting strobe > lighting. What color of strobe lighting? > Even when I use a grey balance card the skintones just > don't look right to me. I was shooting in Adobe RGB mode You said RAW above, so the AdobeRGB setting is not affecting your images, its only applied to Jpegs... > and editing > in Adobe RGB in photoshop but I'm switching to sRGB. Careful there... AdobeRGB is fine in Photoshop, and sRGB is fine for the web or for sending out to labs too clueless to convert to a custom profile, but if you assign, instead of convert, between the two color spaces you can end up with (depending on which direction you go in) either undersatured skintones or... (drum roll please) overly red skintones in caucasian subjects... including red noses on older men that make them look like lifelong drunks. Sound familiar? > Lightroom uses > ProColor or something like that and handles all the conversions > automatically. Correct, their internal space is not of much consequence here, as long as you are rendering out to AdobeRGB at the end, and honoring that in Photoshop. > I have noticed variations in image renderings in LR > vs Photoshop but have figured that was a factor of the background > color (LR is dark grays, PS is mid grays). There are other possible causes... see above. > > > So I was wondering what affect these pasty walls, flourescent > lighting or near total darkness were playing on this process. Pasty isn't quite as good as dead gray, buts its pretty acceptable. And in darkness, the wall colors matter far less. And you don't have windows or other bright light sources effecting the eye's color balance (again, assuming this is the same person with the previous 5D question), so you are not in bad shape. What color the fluorescent lightbulb is has some effect, particularly if you are viewing prints under it. And if the room is too dark, then a bright display can cause glare and eye fatigue, but thats a different issue. > Should > I have lighting at all and what? What white-point is preferred, is > there a luminance that is best or does it depend on intent? Any > other factors I'm not considering? These are all valid questions, and if you owned Spyder3Elite, then the software would walk you through a fair amount of this. As I recall, you are the person using a different product, so I really can't help there. But if you have a calibrated display, you should not be getting bad color on screen from a 5D. Lets take your own photos and process out of it. Open the Matrix test image from the Test image folder in your Spyder folder (I assume you own at least one Spyder3 product, or you wouldn't be on this list...). Those are precorrected images, with carefully chosen skintones (some of them shot with a 5D). There is a blond with what we call a yellow skintone, and a girl with what we call a pink complexion, to bracket the caucasian range. There is a wax work of Marilyn, to show tungsten burn to white. And there is a dark skintone in deep light, more for shadow detail but it also shows the color balance issues in dark skin. If these images look, and print, okay for you, then your problem has either to do with your flash and settings (not my area to diagnose, I avoid flash like the plague), or its your workflow settings, which I make a few comments on above. Either way, its not really a Datacolor issue... C. David Tobie Global Product Technology Manager Digital Imaging & Home Theater CDTobie@...
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Re: [colorvision_group] Re: Environmental factors of Color Correcting
2009-02-12 by C D Tobie
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