Good evening, everyone. In a message dated 9/28/02 7:30:16 PM, Carol writes: << Thanks, Pianobench, for that last paragraph! I have never figured out the differences between these settings. I have found that PrgAll setting makes different tracks try to play the same note at the same time, instead of playing a different voice.>> If you have two separate tracks in a song file, each with a piano group voice--such as 01 Acoustic Grand Piano and 07 Harpsichord--you might have a situation in which both voices are playing the same notes. That depends on how the song was arranged. In such a case, the PRG(ALL) setting would cause the Disklavier to try to play these tracks simultaneously on the piano. <<Would it make a difference if the file in question was a SMF 0 or SMF 1 file? >> It makes no difference whether the file is SMF Type 0 or SMF Type 1. I have seen some posts to this group that show some confusion about these file formats. From a technical point of view, a Type 0 file is a single-track file and a Type 1 file is a multitrack file. HOWEVER, as far as the user is concerned, you can consider both types to function multitrack files. From a practical point of view (i.e. from a user's point of view), the distinction is very slight. Any device or computer program that plays a Type 0 file looks at the data in the file and realizes that most of the data is assigned to various MIDI channels (of which there are 16 possibilities). When the device displays the data (such as a sequencing program on the computer or the window on the Disklavier), the device keeps all of the data separated according to MIDI channel as though the data were assigned to as many as 16 separate tracks. For this reason, if you open a Type 0 file using a sequencing program on the computer, it will appear as though you have a multitrack file with up to 16 tracks. If you find the foregoing to be confusing, think of it like this: For all practical purposes, a Type 0 file acts like a multitrack file that has up to 16 tracks in it. A Type 1 file, however, can have an unlimited number of tracks. (Okay, there is probably an upper limit, but no one ever reaches it!) HOWEVER, these tracks can only be assigned to a maximum of 16 channels. For example, you can have a Type 1 file with 20 tracks, but every track will be assigned to a channel with a number between 1 and 16. In this example, some tracks are assigned to the same channel. Why would you assign multiple tracks to the same channel? Well, think of the drum track, as an example. The drum track uses a single instrument called a drum kit. Each note in the kit makes a different sound. One note is the high hat, another the bass drum, et cetera. If you were sequencing a drum part using a computer sequecing program, you might want to record the high hat to one track, and then record the bass drum on another track, et cetera. By keeping these drum parts on separate tracks, you will have an easier time editing them. However, all of them will get assigned to channel 10. Similarly, you might want to sequence the left and right hand piano parts separately and keep them on separate tracks. However, since they use the same voice, you might want to assign them to the same MIDI channel so that you have more channels available for other voices. If you take a Type 1 file and convert it to a Type 0 file, all of the tracks that are assigned to the same MIDI channel are essentially combined together. If, for example, you had originally put the high hat and the bass drum on separate tracks in a Type 1 file, then converted the file to Type 0, and then opened it again in your sequencer, you would find that all of your drum parts would appear on a single track assigned to channel 10. Hope that helps. Regards, PianoBench
Message
Re: [disklavier] twang, twang twang...
2002-09-28 by PianoBench@aol.com
Attachments
- No local attachments were found for this message.