On Mon, Sep 29, 2003 at 12:36:22PM -0700, Jason Vernon Starnes wrote: > yes, this sounds like an interesting feature the MD could 'learn' from > Mono. > Not having Mono (yet), I can't quite picture how this works, but > perhaps if we had a name > for it we could add to MD wishlist. Anyone care to further describe > this or other > features that the rest of us are missing out on? :) well, since I brought it up I'll expand on this one... the beat-box is setup similar to the drum implementation you would find on a synthesizer. that is, the controls are shared for all of the drums. to play a bass drum, you press C, snare drum is C#, etc. so when you want to program in grid mode, you press the trig position and the key of the drum you want. now, on many synths, it's a major drawback (to me) that the controls are shared for all drums. but since the sequencer has parameter locks, you can easily change the pitch to low for the bass drums, medium for the snare and high for the hi-hats (for example). as well as lock envelope and filter settings, etc. so it's pretty flexible for being so simple (though it is more tedious to program and a lot less flexible than the MD). the synthesis controls are simple and they're similar to the E12 machines on the MD. there parameters are pitch, start, RTRG and RTIM. and since the controls are shared, you can turn up the RTRG/RTIM parameters and have it effect all of the drum sounds. make sense? the bad part: the sequencer is monophonic (at present, I really hope this is extended). what that means is that any trig position can only trigger one drum sound (note) at a time. so you can't have a steady hi-hat beat going while you layer drums overtop of it, for exmaple. your hi-hats can only sound when nothing else is sounding. but you can mess with parameter locks and the track's dedicated delay to give the impression that they're playing steadily. hope that helps.... I'm sick of typing :-) Joe
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Re: [elektron] Digest Number 998
2003-10-02 by Joe
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