K5synth

Overtone, that I will post Tuesday, can convert samples(Turtle Beach and 
an other one) to K5 sounds(Well, what the K5 is able to do).

ohsinairam@yahoo.com a écrit:

> Creating natural sounds using additive synthesis is quite difficult,
> unless you really know about acoustics and have the proper tools.
> spectrum analyzer, etc. Even with a spectrum analyzer, it's tough to
> understand how each harmonic's amplitude evolves in time. Let
> engineers in Kawai do that and make these patches public!
>
> I mainly create artificial sounds on the K5, playing with the DFT
> envelope, LFO, etc. I believe the K5 is fairly good in controlling
> groups of harmonics individually (up to 4 groups), and let them
> evolve using the envelopes. The K5 would be great if it had mode
> polyphony, 16 is not enough. A string patch alone is not fat enough,
> so when you assign 3 strings to a multi and detone them, you eat up
> all your polyphony. Then again, you can use Cubase to record
> individual patches and layer them one on top of the other.
>
>
>
> --- In k5synth@yahoogroups.com, "jbrave" <onephatcat@e...> wrote:
> > Some people are interested in additive synthesis as a way to
> produce sounds
> > in imitation of nature and acoustic instruments. Some are
> interested in
> > creating new sounds that don't occur in nature. I'm interested in
> creating
> > sounds that slowly evolve over time.
> >
> > What types of sounds do you create, and what is your philosophy
> about sound
> > creation?
> >
> > Joel
>
>
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-- 
antdes45@...