The Logic Off Topic list

Från: "Litepipe" <litepipe@...>

> If I
> record them onto a stereo track in Logic than what do I do about panning? I
> mean the signal stays right and left and the pan control becomes a balance
> comtrol right? What if you want to pan the guitar to 9 o'clock? Is it better
> to record the stereo guitar on two seperate tracks to retain flexibility? If
> you record them onto two mono tracks it's also a pain because if you want to
> compress the whole stereo track you have to use two compressers instaed on
> one. What is the standard procedure for this?
> 
> HI,
> 
> One way to keep all options is by recording both mics fully panned L/R to a
> stereo file. You can then either process that file as a stereo mix or split
> the left and right  to different busses. To do that, copy the audio regions of
> the track to another track set to a different stereo channel, pan one channel
> fully left and the other one fully right. Then assign their output to two mono
> busses. This will give you the possibility to process each mic separately by
> buss fx inserts.
> 
> 
> For guitar amps I was thnking of putting the 57 a little off center of the
> cone and putting the AKG somewhere else in the closet I use to record amps.
> Is there any standard position for the ambient mike?
>                               Thanks!!        --Roger
> 
> When recording a close up sound from a cabinet a common trick is to crank up
> the volume of the amp - with no playing musician attached - put on headphones
> and stick the mic up to the speaker and move it around. Listen carefully for
> the mic placement that gives the most amp hiss noise. That placement will also
> give the most true representation of the acoustic cabinet sound - from a close
> up view. 
> 
> Hope this was to some help :)
> 
> Per Boysen
>  
> 
> 



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