--- In logic-ot@y..., "Mark Lennox" <mark@e...> wrote: > > > > I know most people cant hear above say 17kHz or so, and thus the > argument > > > for 96kHz sampling rate seems ridiculous. > > j.offerman@i...>; wrote > > You are mixing up two *very* different things: 17kHz refers to the > > highest frequency people can hear, whilst the 96kHz refers to the > > frequency at which the sound is sampled by digital recorder. > > > > I.e. a 96kHz digital recorder samples the frequency of the sound that > > is being recorded 96.000 times per second. This has *nothing* to do > > with the actual frequency range of the sound being recorded. > > sorry Jim, I should have been more specific, I was commenting on the fact > that 44.1kHz recordings can only reproduce tones up to 22.05kHz, then I was > making the comparison that humans can only actually hear up to 20 odd k > theoretically (and I made a guesstimate of 17k practically - due to rock > concerts, traffic, computer whine etc...). Then the fact that the higher > tones cant be heard anyway makes sense, however... > > I made a half-assed guess at beat frequencies generated by high order > harmonics interacting but Lennart pointed out quite rightly that such tones > are produced from perception through a non-linear medium rather than > superposition in a linear medium (ie. air). Thus to properly reproduce these > beat frequencies you DO need to record as high as you can go. > > The only problem then is how to reproduce these tones. Most titanium > tweeters I have seen spec sheets for only reproduce up to maybe 30 or > 40kHz - how do the higher frequencies get reproduced? There is a difference between 'reaching' 40kHz and 'reproducing correctly' at 40kHz. My Dynaudio tweeters go up to 45kHz +/- 3dB, :-). It's not so much those beat frequencies, but more about impulse response distortion. Remember that 40kHz is only 1 octave above 20kHz and only 2 octaves above 10kHz. The second harmonic of a frequency is essential for the human ear; the brain and human 'hearing' experience even harmonic distortion as pleasant. Odd harmonic distortion the human ear does not like, :-). So the higher the frequency the better. That's why certain amps have such a high bandwidth. You should know that, :-), as a music consultant. And everything in the signal chain should be distorted as less as possible. Yoonchi.
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Re: [L-OT] 24bit
2002-02-15 by yoonchinet
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