> >I think there is another point to be made about 24 bit. Its not that you can > >hear such a huge difference - its that when you record 16 bit, you have to > >get the levels just right, and compress a lot - to avoid overages but keep > >the signal as hot as possible. However, with 24 bit, you have a lot more > >freedom in recording - more headroom if you like - and then you dither to 16 > >bit using a limiter so that you have the "best 16 bits" of the 24. > > Note the fact that most A/D convertors' noise level cancels out this > advantage of 24bit anyway. does this include the Multiface?
Message
Re: [L-OT] Logic Bounce quality (redirected)
2002-05-07 by Martin, Jeremy