> Just a little joke teddy .....maybe you left a couple of rocks in this wake > up . I have no idea what that means, is it english? maybe you're right though.. : ) > In my experience in a conventional studio most [read all ] engineers have > wanted the bass with the treble wound up all the way so after being able to > get my hands on the dials in my own setup I was quite surprised to discover > that bass git sounded much better with a significant amount of the freqency > ranged rolled off , > A very significant amount .You have to remember obi that > you are getting a lot of your attack characteristics from the bass drum a > lot of the time and your bass will be buried nearly all the time ,now I'm > not saying to disappear it but I am saying if you give it full range you are > going to be interfering with a whole lot of other inst.and not getting much > more kick\ punch\ smooth roundness or any of those wonderful qualities we > bass players dispense to the rest of the mere mortals to you in your music, I think you're probably right... I would do the same in reggae, hip hop or dub or some rock, basically I do it when it feels right. I'm not an advocate for not rolling off top end as you seem to assume... I can see why you would take offense to my post because I said "if the bass player played well"... by that I guess I meant, "if the bass player played with the sound he was hearing and he was sensitive with it and didn't smack the pickups and make god awful noises and it was right for the style and felt really good for the song, etc...." I think this subject is very style sensitive, there are a lot ways to play the bass gtr. I am not looking to start the bass tone control war. > ...so just leave them > out . I'm sure there are pedants pedants??? > everywhere currently finding exceptions to > the rule as stated by MOI but be that as it may thats what I reckon and I'vr > been listening to and playing bass while a significant portion of this list > were still getting their arse wiped by mummy . ok, that's weird to say... feeling a little cocky today? I've been playing bass for 25 years... I play bass in 2 bands right now and on pro recordings just about everyday. My mummy is not with us sadly to wipe my ass anymore. > As far as bass is concerned > treble sucks so dump it unless you want to sound like Jet Harris which with > all due respect I dont . treble sucks... you should have t-shirts made up. good for you! who is Jet Harris? > I'm not going to say where to roll it off because > that depends . oh does it now? the mystery gets shallower. you're really getting off now, aren't you? > Oh and one more comment , oh, ok, go ahead... > I have never ever been in a situation where > shitty inst have ended up sounding great due to engineering brilliance Teddy ok... I'm not sure I can testify to your preaching, I usually think that if it sounds good it must be good, shitty instrument or not. In my world the player brings his instrument which is his or her sound and there you go, work with it. > ,shit sticks but beauty shines . and what the heck that statement is here for I will never understand. teddybut
Message
Re: Best tips on bass in mixes...
2003-02-23 by teddybut
Attachments
- No local attachments were found for this message.