Music Chick wrote: >Does any one know any thing about the 12 bar blues. what chords are used please? Hi Debbie, There are many versions -- the most basic would be (In key of C) C F C C F F C C G(7)F C G(7) These chords might be all simple major chords or all seventh chords (dominant, minor7 or even MA7) or a mixture of the two with the G chords most often being G7s. That is three four bar lines -- vocalists often repeat the same words on each of the first two lines of each chorus add a following line that differs. Often there is a turnaround of some kind at the end so that the last two bars might be (still in the key of C) C A7|D7 G7 C Ami7|Dmi7 G7 These two turnarounds have movement around the cycle of fifths to get back to the first bar C of the next chorus. C Ami7|Abmi7 G7 C Eb7 D7 Db7 These last two are using chord substitutes (this is called tritone substition) where a seventh chord three tones (6 semitones) away will function as a substitute for another seventh chord. This and other sorts of substition can be applied all the way through a blues so that you might get two or even four different chords to the bar in a slow jazz blues -- the V chord (G7) in the 9th bar is pretty essential to the blues though. Now you just gotta pay your dues ;-) Regards, M
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Re: [L-OT] mUSIC THEORY - THE BLUES
2003-05-22 by Murray McDowall
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