Hendrik Jan Veenstra > I was JOKING JOKING JOKING!!!!! Hah, of course I KNOW I KNOW I KNOW!!!!! > Gawd, do I really have to put a smiley after every stupid remark I > make...? Then all my msgs would contain more smileys than remarks > :-). No, of course not - but I smelled a bit of that "better learn how to play your instrument" thing again, as in one of your contributions to the trance. I know that such comments, especially coming from an obviously clever person can't be taken 100% serious, but there's a bit of truth in them though, no? Now admit, goddamnit! :-) Actually, not too long ago I was saying such things almost all the time, and yes, I was almost serious about it. It actually changed when I've been to some kinda of pretty much "underground-ish" rave. Not that I really liked all the people stuffed with drugs but the music had a special quality. It was like pumping and hypnotic. Surely not what you would usually define as "musical artistry" but there was a lot of highly interesting soundstuff going on, something you would never find in your average sounding jazz/rock/pop band. IMO that can be called artistry as well. Another experience was that I started fooling around with such sounds as well. Started with some Korg DW8000 which I got for cheap. Originally only meant to replace my keyboard to record MIDI events into my PC I found myself sitting with it and fooling around with the internal arpeggiators and filters for hours. These days I would like to find out how to integrate all those modern sounding things into my (admittedly) somewhat old-fashioned musical style(s). And no, I'm not talking about the "Hey, let's replace this Fender Jazzbass with a 303 filter" thing which quite some people seem to do these days, I'd be more interested in really integrating it, both by means of sound and composition. Btw, I think Massive Attack and Portishead for example do a great job on that. So far, Sascha
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Re: [L-OT] Are arps useful?
2001-06-20 by Sascha Franck
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