TT Goes Wildly OT Pt 02
2001-11-15 by Tony Thompson
Kool wrote: >> ...AUTISM... > <snip> > Enjoyed your stories and insights. Bit OT even for the OT list though I > think ... so probably best if I leave my other questions/observations for > that Psych List you're going to start. Well, my other email today will definitely be OT for you, then, though quite what the parameters of a LUG-OT-OT list would be I cannot imagine. I moderate 4 lists already, so I'm not sure about a 5th;) - still I have enjoyed these little to-and-fro things so much that I have 21 LUG digests wanting to be read, put on the back burner! Speaking slightly more seriously, if anyone really does wants to go for a no holds-barred wide-ranging rambling discourse type list in an effort to keep this one a little more focussed on issues closer to music - and thereby giving Joeri more time to keep an eye on LUG, write dissertations, drink all that wonderful Belgian beer (Chimay - 'nuff respect!) , or even make music - then let me know and maybe I will go for it - or somebody else could... Here's a list of alternative thread possibilities: * M Audio Delta 1010. I've just taken over a little teaching here in a high school, rescuing a Music Tech course on the point of collapse, and have installed one of these in a G3 they had handy. I am knocked out with the sound quality. The only price-range alternative I could see was the Digi 001 for 8-in 8-out multitracking, particularly in a Mac. Are there alternatives I haven't explored? (not MOTU 2408, as there was a Spirit analogue desk and that level of interfacing wasn't relevant) *Ditto microphones for general purpose use on a budget. I had to equip them for a course that requires ambient stereo recording of accoustic duets/trios and other outfits, plus micing up of drums, guitar and bass amps, percussion, vocals. When I arrived all they had was an AKG C300B, of itself an excellent mic. I avoided many of the project/home studio faves such as Rode NT1s and went entirely German-speaking: 2 X AKG C100S as a stereo pair for top kit, percussion, general accoustic outfit work AKG D660 and D880 dynamics for stage and odd studio vocals, snare, cab micing Sennheiser e602 for kick drum/bass cab I have odd things I can bring in, such as a PZM, but I wanted them to be equpped in a way which wouldn't rely on my own stuff. Opinions? * Sound Processing & Mangling: we've all got our VST plugin collections, but there's a big world out there of both software and hardware and a host of ways of treating sounds. I often export stuff to Peak and then reimport it into Logic, but I want to get back into the analogue world again, even with samples and synth lines. I have a Focusrite MixMaster (won it in a competition!) which is great for quality compression and EQ, but I remembered today that I still have a tiny little Archer mini amp I used to use years ago for fuzzing things up and really enjoyed using. Thought to myself - must get that out again and get properly lo-fi. Anybody else got stuff like that they use? Other techniques? There we are then - back on planet Music, where we all started... Tony T