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Lovely Rita Meter Maid.....

Lovely Rita Meter Maid.....

2002-02-26 by litepipe

Helle everyone!! I'm trying to get the handle on VU and PPG meters. I have the PSP Vintage Warmer with nice meters and also their Vintage Meter. I got the wonderful tutorial at digido.com but there are a few things that puzzle me....For instance I set my meters so that -14dbfs reads 0dbfs on the VU which they kept referencing in the tutorial. Now when I master to 0dbfs on the VU meter it seems so weak on the Logic meter. How do all of you have it set up? What levels do you master to? What is the induatry standard? Is it 0dbfs on a VU calibrated to read 0dbfs at -14dbfs? 

   What I do is put a Vintage Meter on the Master Output when I'm mastering a song to see the volume. I want to make sure I'm somewhere in the ballpark. I'm going to pull a few songs from c.d. and compare the levels. I was just wondering if anyone here could give me a little more insight:-)

   Thanks in advance:-))

   --Roger


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Re: [L-OT] Lovely Rita Meter Maid.....

2002-02-27 by Kool Musick

Roger of litepipe fame said:

>I'm trying to get the handle on VU and PPG meters.
Me too!!

>... there are a few things that puzzle me....
Me too!!

>For instance I set my meters so that -14dbfs reads 0dbfs on the VU which 
>they kept referencing in the tutorial. Now when I master to 0dbfs on the 
>VU meter it seems so weak on the Logic meter.
OK.
Well
... nobody else is saying anything, so here goes with the little I know.

VU and dBfs are not necessarily that compatible from what I understand. The 
way I read it, it's the self-same issue of peak versus RMS that keeps 
coming up time and time again.

The way I read the situation is that dBfs is more common in digital 
applications. dBfs (decibel full-scale) tries to tell you how far your 
reading is at the moment from full scale, with full scale referring to the 
maximum level that your ADC (analog-to-digital-converter) can convert.

If your 'normal operating level' is -14 dBfs, then you've got +14 dB of 
headroom before your ADC goes AWOL or whatever. Different places work to 
different levels, but that's basically what it means. I think!!

Digital and analogue meters are usually calibrated to provide as a high 
resolution as possible near the chosen operating level. As the level goes 
higher than this, so does the resolution drop. So ... when you're near 
operating level then one unit on your display may well properly represent 
one dB. Unfortunately, that's likely to be the only place you get that 
representation. One unit at say -50 could be 8 dB or 10 db or 15 db or a 
bit more than that even different.

VU's and PPM's do much the same thing as each other (Volume Metre displays 
and Peak Program Metre Displays). VU displays show you average volume 
levels while PPM's, of course, show peaks. So ... if you're displaying a 
sine wave then you're probably showing a difference of about 3dB between 
them. Can be as much as 12. Technically, the difference between these two 
is called the 'crest factor'.

You've also got a difference in response time to contend with. A VU metre 
can take 3/10ths of a second to stabilize its response to a 1 kHz tone, 
whereas a PPM meter can do so in less than 1/100th of a second. Given the 
crest factor and these differences in the 'ballistics' o the two methods, 
the two kinds of meters always respond to audio differently.

Basically, VU meters, which work on average levels, are designed to more 
closely mimic the human ear. However, it's very bad at dealing with peaks 
because of its inordinately slow response time. The average VU meter shows 
you a peak signal some 8 to 20 dB below its actual value.

When a VU meter gives you a zero reading, then all you're seeing is the 
"normal operating level" chosen by that particular set up which is pretty 
random. It could be -10 dBm. It could be 0 dBm. It could be anything, 
really. (A dBm is the power dissipation of 1 mW into a resistor loaded with 
600 ohms).

The VU meter is simply calibrated so that something or other registers a 
zero, and you usually need to have some other way of telling what that zero is.

>How do all of you have it set up? What levels do you master to? What is 
>the induatry standard? Is it 0dbfs on a VU calibrated to read 0dbfs at 
>-14dbfs?

Basically, I don't think there IS an industry standard per se because each 
recording facility can set what it likes as its own reference for zero. 
However, that said I think that -14 and -18 are both pretty common. I think 
the idea here is that need to find out what's been decided and done so that 
you know what you're doing from that point on.

>What I do is put a Vintage Meter on the Master Output when I'm mastering a 
>song to see the volume.
Don't think you can do much better than that, to be honest!!

>I want to make sure I'm somewhere in the ballpark.
Use your ears? If you hear a hot dog vendor you're at the right ballgame. 
If not, check your calendar (just kidding!!)

>I'm going to pull a few songs from c.d. and compare the levels.
Best way to go. If you want them to match, then you'll have to do it by hand.

>I was just wondering if anyone here could give me a little more insight:-)
Sorry. Got no insight to shed. I really don't know much and I was hoping 
someone would answer your question but basically everyone seems to be 
ignoring it.

Which is a pity, really. C'mon guys ... where ARE you all??!!!

>Thanks in advance:-))
Ditto

Kool Musick
Keep Musick Kool


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Re: [L-OT] Lovely Rita Meter Maid.....

2002-03-21 by litepipe

Hi,
     This may sound stupid, but I'm wondering why do we even use VU Meters? I understand that it shows us more of the "comon" level but shouldn't we really be watching the peaks to see where the level is too hot? What do we get from VU that we don't get from PPG? I'm just a little confued as to their uses. I understand what they do now, using them is the problem:-P Thanks!! 

  --Roger


[Non-text portions of this message have been removed]

Re: [L-OT] Lovely Rita Meter Maid.....

2002-03-21 by Recky Reck

Hi,

VU meters pretty much show what you're hearing, i.e. average levels. In 
the pre-digital era short peaks weren't much of a problem anyway, thanks 
to the way tape gradually saturates. On digital equipment, of course, 
you have to watch your peak levels.

Cheers,

Recky

litepipe wrote:

>  Hi,
>     This may sound stupid, but I'm wondering why do we even use VU Meters? I understand that it shows us more of the "comon" level but shouldn't we really be watching the peaks to see where the level is too hot? What do we get from VU that we don't get from PPG? I'm just a little confued as to their uses. I understand what they do now, using them is the problem:-P Thanks!! 
>
>  --Roger
>
>
>[Non-text portions of this message have been removed]
>
>
>
> 
>
>Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/ 
>
>
>

-- 
"The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs.

There's also a negative side."

(Hunter S. Thompson)


The box said 'Requires Windows 95, or better.' So I bought a Macintosh.

Re: [L-OT] Lovely Rita Meter Maid.....

2002-03-21 by res0934j

VU shows how the human brain conceives
the level, which can be used to monitor
the perceived level of a mix..
Show quoted textHide quoted text
From: "litepipe" <litepipe@...>
Reply-To: logic-ot@yahoogroups.com
Date: Thu, 21 Mar 2002 08:48:37 -0500
To: <logic-ot@yahoogroups.com>
Subject: Re: [L-OT] Lovely Rita Meter Maid.....


  Hi,
    This may sound stupid, but I'm wondering why do we even use VU Meters? I
understand that it shows us more of the "comon" level but shouldn't we
really be watching the peaks to see where the level is too hot? What do we
get from VU that we don't get from PPG? I'm just a little confued as to
their uses. I understand what they do now, using them is the problem:-P
Thanks!! 

 --Roger


[Non-text portions of this message have been removed]


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[Non-text portions of this message have been removed]

Re: [L-OT] Lovely Rita Meter Maid.....

2002-03-21 by litepipe

Recky Reck wrote:

  >VU meters pretty much show what you're hearing, i.e. average >levels. In 
  >the pre-digital era short peaks weren't much of a problem anyway, >thanks 
  >to the way tape gradually saturates. On digital equipment, of >course, 
  >you have to watch your peak levels.

    I was wondering what the point of watcthing the percieved level is especially when you want to watch for clipping. Why not just always watch the peak level? Is there something you gain from seeing the average level? I'm just a little blurry on it. Thanks!! 

    --Roger






[Non-text portions of this message have been removed]

Re: [L-OT] Lovely Rita Meter Maid.....

2002-03-21 by res0934j

A good radio mix will translate well on the VU meter
with a high level of percieved loudness, VU's are good
for comparing different mix and mastering settings.

If you mix for Television, all broadcast metering is VU
as this is what can be used for monitoring differing
levels on different program material. When a program
makes the VU go into red, it is turned down to the
standard of -3dB..
Show quoted textHide quoted text
From: "litepipe" <litepipe@...>
Reply-To: logic-ot@yahoogroups.com
Date: Thu, 21 Mar 2002 15:47:10 -0500
To: <logic-ot@yahoogroups.com>
Subject: Re: [L-OT] Lovely Rita Meter Maid.....


  Recky Reck wrote:

 >VU meters pretty much show what you're hearing, i.e. average >levels. In
 >the pre-digital era short peaks weren't much of a problem anyway, >thanks
 >to the way tape gradually saturates. On digital equipment, of >course,
 >you have to watch your peak levels.

   I was wondering what the point of watcthing the percieved level is
especially when you want to watch for clipping. Why not just always watch
the peak level? Is there something you gain from seeing the average level?
I'm just a little blurry on it. Thanks!!

   --Roger






[Non-text portions of this message have been removed]


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Re: [L-OT] Lovely Rita Meter Maid.....

2002-03-22 by Kool Musick

litepipe wrote:
>     This may sound stupid,
Not at all, actually!

>  but I'm wondering why do we even use VU Meters?
>  I understand that it shows us more of the "comon" level but shouldn't we 
> really be watching the peaks to see where the level is too hot? What do 
> we get from VU that we don't get from PPG? I'm just a little confued as 
> to their uses. I understand what they do now, using them is the 
> problem:-P Thanks!!


It's also partly a 'Europe versus USA' thing! The VU 'standard' was cobbled 
together by Bell Labs, CBS and NBC back in the late 30's or early 40's. 
They optimized it for radio broadcasting primarily, but for all sound 
recording in general. There's an ANSI specification for it but I'm afraid I 
don't know it off by heart. In order to determine 0 VU in the ANSI spec, a 
sine wave of +4 dBu is used. As I said earlier, it's deliberately concocted 
to have a slow response: it's intended for it to take 300 ms to reach 99% 
of its full deflection under any given aural input. Its overshooting or 
clipping must also lie within the range of 1-1.5% and not more. Useless for 
peaks.

The PPM system is European. To be honest, it's the more valuable one for 
digital recordings simply because it's far better for preventing clippings 
and overs. Unfortunately, there are several different PPM specs doing the 
rounds in Europe even now! Technically speaking, peak programme meters do 
not respond "instantaneously". Instantaneous must be defined because it's 
basically impossible to realize an electrical signal in which one has 
integrated over an infinite span. PPM's simply must have a finite 
integration time so that peaks wide enough to be audible are displayed. The 
DIN specification is probably the most commonly used although the BBC one 
is quite common too. I looked them up the other day out of interest but I'm 
afraid I can no longer remember them. It's to do, though, with a difference 
in attack times for any transient, and the degree of response to those attacks.

Those don't really answer your question, although I think they establish 
the necessary background. Suppose you've been asked to record (a) a funeral 
conducted by a group of ants who happen to live right by the take-off 
runway at an airport ... and (b) you've been asked to provide some 
background noise from a cocktail party for use in say a theatre production.

In the former case, if you worked only from the peaks (using PPM) then 
there'd be complete silence on your recordings excepting only the 
occasional loud aircraft. Of course, you could also try "riding the meters" 
by watching out for them airplanes and turning your meters down whenever 
they came by, and then returning your focus to the ants at the point in 
between. Which is really rather the point here ... your focus is on the 
occasional airplane that comes by and not upon the ants which you are 
trying to record. On the VU system you would just set your level for the 
ants and pretty much have done with it because the occasional airplane 
wouldn't really trouble you except that you might the first time have to 
nudge your recording level down a notch to make sure that ... in general 
... you recordings as a whole weren't clipping.

As for the second scenario of the cocktail party, since you're definitely 
not interested in any peaks but rather than in the average overall level, 
the VU method is definitely superior. You don't have to worry about the 
occasional clink of glass or any such because you're don't want anything to 
stand out and you don't need anything to stand out.

Then ... the standard broadcasting (and also partly mixing) problem is ... 
how do you get the volume levels of many many different sources to blend 
together into one acceptable continuum (think, adverts in the breaks 
between different radio or TV programmes). The answer is you use VU meters 
to keep the overall general level within certain aesthetically acceptable 
limits. Thus you could have a documentary on the ecological behaviour of 
ants who live near an airport followed immediately by a programme on the 
evolutionary behaviour of human beings who attend cocktail parties, with as 
many advertising breaks as you like between them, and everything would 
match in audio levels without consumers having to keep jumping up and 
turning their volume controls up and down in spite of the widely differing 
acoustic environments.

Peaks and VU's are both useful which is why they are both there, although 
with digital recordings peaks have really become pretty close to essential 
in a way that they weren't before.

Hope that makes sense.

Kool Musick
Keep Musick Kool




>   --Roger
>
>
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Re: [L-OT] Lovely Rita Meter Maid.....

2002-03-24 by res0934j

It's also partly a 'Europe versus USA' thing! The VU 'standard' was cobbled
together by Bell Labs, CBS and NBC back in the late 30's or early 40's.
They optimized it for radio broadcasting primarily, but for all sound
     recording in general.


I don't think those Bell labs scientists would have liked the way
you describe their pioneering efforts, by the way those labs were
an international bunch of scientists cobbling stuff together as
the first in the world at that time. PPM just like PAL came later
and was in part build on the lessons learned from Bell.. 


[Non-text portions of this message have been removed]

Re: [L-OT] Lovely Rita Meter Maid.....

2002-03-24 by Kool Musick

Kool Musick wrote:

>It's also partly a 'Europe versus USA' thing! The VU 'standard' was cobbled
>together by Bell Labs, CBS and NBC back in the late 30's or early 40's.
>They optimized it for radio broadcasting primarily, but for all sound
>      recording in general.


To which res0934j <res0934j@...> responded:

>I don't think those Bell labs scientists would have liked the way
>you describe their pioneering efforts,
Hmmmm .... maybe ... then again maybe not.

>by the way those labs were
>an international bunch of scientists cobbling stuff together as
>the first in the world at that time. PPM just like PAL came later
>and was in part build on the lessons learned from Bell..

To be honest, I was going for the (typically British) humorous and ironic 
approach. I was simply trying to make what I was writing a tad more 
interesting seeing as how what I mostly write is so very dull and tedious.

I have EVERY respect for those guys because, as you said, they were doing 
things that we now take totally for granted as obvious when when they were 
doing it it was not at all obvious. I never in the world meant to imply the 
slightest bit of disrespect to the Bell engineers, who also gave us the 
beginning of information theory, and apologise to them if that's how it 
came off. To be honest, it never once occurred to me that what I had said 
could have been interpreted in the way you have suggested.

Kool Musick
Keep Musick Kool


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Re: [L-OT] Lovely Rita Meter Maid.....

2002-03-25 by res0934j

Sorry if I overreacted..

"cobbled together" might not be as I thought you meant it.

Peace
Show quoted textHide quoted text
From: Kool Musick <koolmusick@...>
Reply-To: logic-ot@yahoogroups.com
Date: Sun, 24 Mar 2002 15:49:56 -0800
To: logic-ot@yahoogroups.com
Subject: Re: [L-OT] Lovely Rita Meter Maid.....


Kool Musick wrote:

>It's also partly a 'Europe versus USA' thing! The VU 'standard' was cobbled
>together by Bell Labs, CBS and NBC back in the late 30's or early 40's.
>They optimized it for radio broadcasting primarily, but for all sound
>      recording in general.


To which res0934j <res0934j@...> responded:

>I don't think those Bell labs scientists would have liked the way
>you describe their pioneering efforts,
Hmmmm .... maybe ... then again maybe not.

>by the way those labs were
>an international bunch of scientists cobbling stuff together as
>the first in the world at that time. PPM just like PAL came later
>and was in part build on the lessons learned from Bell..

To be honest, I was going for the (typically British) humorous and ironic
approach. I was simply trying to make what I was writing a tad more
interesting seeing as how what I mostly write is so very dull and tedious.

I have EVERY respect for those guys because, as you said, they were doing
things that we now take totally for granted as obvious when when they were
doing it it was not at all obvious. I never in the world meant to imply the
slightest bit of disrespect to the Bell engineers, who also gave us the
beginning of information theory, and apologise to them if that's how it
came off. To be honest, it never once occurred to me that what I had said
could have been interpreted in the way you have suggested.

Kool Musick
Keep Musick Kool


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Get your free @... address at http://mail.yahoo.com


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Re: [L-OT] Lovely Rita Meter Maid.....

2002-03-28 by litepipe

Kool Musick wrote an entertaining and informative post:
  >Peaks and VU's are both useful which is why they are both there, >although 
  >with digital recordings peaks have really become pretty close to >essential 
  >in a way that they weren't before.

  >Hope that makes sense.

    Thanks Kool!! That helped put it into perspective very well!! Sorry it took so long for me to respond. Been tracking around the clock here. 

    --Roger


[Non-text portions of this message have been removed]

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