MOTM

The track mode on the MOTM-101 sample and hold contains
some unique capabilities.  Consider: Connect a pulse output from
an LFO having variable pulse width (such as the MOTM-320)
to the 101's external clock input.  Choose something interesting
for the S&H source; I recommend either the internal white noise
or an external audio source.  Take the output to a VCO or the
CV input of a VCF (in my experiment, I took it to the cutoff CV
of a Synthacon filter, and routed the 101's pink noise to the
filter's bandpass input).  Vary the LFO speed and pulse width.
As you do so, you get a crazy pattern of alternating chaos and
constant tones.  The pattern changes as you change the LFO
pulse width.  Add a bit of slew to taste.