With a resonant highpass and resonant lowpass hooked in series, you get 2 resonant peaks at the corners, instead of 1 in the center for a single bandpass. Also, you can control the cutoffs separately, like have an LFO modulating the HP but an envelope modulating the LP. Plus, if you hook the 2 filters in parallel, then you can get 12 db/oct notch filtering, doubly resonant peaks if both are set to NF, etc. Just a lot more flexible. Dave > -----Original Message----- > From: Brousseau, Paul E (Paul) [mailto:noise@...] > Sent: Wednesday, April 05, 2000 12:35 PM > To: 'motm@egroups.com' > Subject: RE: [motm] Purchasing decisions > > > I'm not quite clear... how is this different from a band-pass filter with > modulated Q / width and frequency? Not that it wouldn't be > really cool, I'm > just wondering if I'm missing a nuance? > > --PBr
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RE: [motm] Purchasing decisions
2000-04-05 by Dave Bradley
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