MOTM

>
> 1) I need a 960 and a pwr-20 or pwr-30, right?

Correct.

>
> 2) Its up to me to mount the 960? It doesn't come on a panel or anything right?

It is up to you to mount it. There are several mounting holes on the pcb.

>
> 3) One of the things I intend to order is a 310 to go with the 2 300s I already have. Should I
have all three VCOs coming off either the 900 or the 960 exclusively, or could I take the 300s
off the 900 and the 310 off the 960? (Or some other combination of VCOs and power supply)

It doesn't matter.


Paul S.

----- Original Message -----

From: <robs7@...>
2) Its up to me to mount the 960? It doesn't
come on a panel or anything right?

I would want to do this because I have a full SKB pop-up
case that occaisionally comes out on stage with me.

Larry Hendry writes:
Rob attached are links to some photos of a SKB power supply mounting
connection and connecting cable I did for a system for Paul.  You have a 1U
panel on one end that wires to the PS as your source end, and a 1U panel on
the opposite end that holds your additional power supply PCB.  Power
connectors are the standard 4 conductor Neutrik speak on connectors.

http://www.wiseguysynth.com/larry/paul/back.jpg
http://www.wiseguysynth.com/larry/paul/front.jpg
http://www.wiseguysynth.com/larry/paul/source.jpg
http://www.wiseguysynth.com/larry/paul/cable.jpg

thanks paul and larry for your responses.

gracias
tchau
rob

A question for the list and maybe for the old crow...
Any thoughts about how to emulate a true CS80 using our MOTM modules? 
Filter 480 will be a must of course but, what else? I don't have in 
mind a full 8 voice (16 vcos) but the possibility of two or three 
voices at least would be necessary, I'm talking of CS80 but what I 
really have in mind is the incredible expressiveness of the Yamaha 
GX1 that is so strictly related to CS80... yet does anybody have 
enough information about the third monophonic keyboard on top of the 
GX1? I heard it has peculiar features not related to any other 
existing Yamaha synth. Sorry for the slight OT
Enrico Italy

On Sun, 10 Mar 2002, edibennardo wrote:

> A question for the list and maybe for the old crow... Any thoughts about
> how to emulate a true CS80 using our MOTM modules?  Filter 480 will be a
> must of course but, what else? I don't have in mind a full 8 voice (16
> vcos) but the possibility of two or three voices at least would be
> necessary, I'm talking of CS80 but what I really have in mind is the
> incredible expressiveness of the Yamaha GX1 that is so strictly related
> to CS80... yet does anybody have enough information about the third
> monophonic keyboard on top of the GX1? I heard it has peculiar features
> not related to any other existing Yamaha synth. Sorry for the slight OT
> Enrico Italy

  I patched up a CS voice in MOTM modules while working on the '480
prototype.  Note: it is not an exact voice setup, in that the actual CS
filter EG is bipolar and I used an '800 biased down through the '830.  I
am making a CS filter EG for my own use--more on that when my prototype is
working.  It uses a PIC (naturally).

  My single CS voice patch used: one '110, one '300, one '480 prototype, 
two '800s, one ,820, one '830.  Both 'halves' of the '830 are used: one to 
mix the '300 sine and '480 HP->LP out, one to bias the output of an '800 
down a few volts to fudge a bipolar ADSR (lacking the initial 
level/attack level controls of a CS filter EG, but allright for general 
CS enveloping).  The '820 I used to lag the filter frequency CV behind the 
VCO pitch CV a little to obtain a bit more CS-like brass attack.  I'll 
draw the patch sketch later.

  Gordon Reid describes the solo manual in his GX1 articles in a couple of
Sound on Sound magazine issues.  There is a link from www.cs80.com to 
them.

Crow
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