Guitar and the 700
2000-09-07 by Thomas Hudson
Last night I had a blast with the following patch. Run a guitar through a preamp or compressor and run the output into the CV IN of a 700. The signal doesn't have to be up to MOTM levels, line level is enough to switch the comparator. Set the switch to voltage. Take the + and - outputs of an 800 (well, any +/- source) and plug them into IO A and IO B. Now when you play you get a square wave. But wait, there's more. Take the output of the 700 and run it into the Sync IO on a 300. Set it to hard sync. Do your best Pete Townsend imitation and hit a low E, then grab the coarse pitch knob. Changing the pitch of the VCO causes these wild filter like sweeps of the guitar-turned-square wave. But wait, there's more. Take the triangle out of an LFO and run it to an FM1 input with the switch set to EXP. Run the saw output through a delay of about 800 ms. Hit a note and let it sustain. When it dies out the guitar-turned-square-induced VCO will kick back to a pure tone, sweeping up and down like a siren. Now play for hours or until the police show up. I also tried to do an envelope follower using only MOTM modules, but with not much success. By putting the guitar signal into both inputs of the ring mod, you get a full wave rectified guitar signal at the output. I then tried to filter this with a low pass, to get rid of the ripple. Unfortunately, if you get rid of the ripple you get a delay on the attack. I thought about adding a negative offset to the output of the ring mod and then sending this to another rind mod to do double rectification of the guitar signal (from a circuit idea in Electronotes), but I didn't have a way to sum a negative voltage with this output. I need a CV mixer. And more patch cables. Tomy