It's a good question. I did a little googling and as usual can't really find anything exactly on point. What Fritz says makes sense, but the license is implied. I doubt if Trons were shipped with a license like a shrink wrapped piece of software has these days. But, for the musicians that recorded the sounds for the Chamberlin and Mellotron masters, I assume it was just another gig and they were paid. Wouldn't that potentially relinquish future rights and royalties? John #911 ________________________________ From: newmellotrongroup@yahoogroups.com [mailto:newmellotrongroup@yahoogroups.com] On Behalf Of Fritz Doddy Sent: Thursday, February 24, 2011 11:52 AM To: newmellotrongroup@yahoogroups.com Subject: Re: [newmellotrongroup] samples and copyright You don't own the sounds, but are granted a license to use them as you will. Sorry for the brevity as I am replying from a remote region of iPhonekstan. fritzdoddy On Feb 24, 2011, at 11:47 AM, mattias <Mattias.olsson5@comhem.se> wrote: I recorded an entire album with only Mellotron, Orchestron and Optigan and I have always thought that if you have bought the instrument you would own the sounds ? // Mattias Den 2011-02-24 17.36, skrev "Dieter" <dieter_vanmarcke@yahoo.com>: Hello I started recording some tracks featuring Mellotron, Optigan and Orchestron. Now, I was wondering, in fact, all these sounds are just samples - who owns the copyright on these recordings? In fact, can you just use this free? I know that with the usual tron sounds nobody bothers and just puts them on their records, but it was in fact when I was using the optigan, where you have loops of recorded big band and such, at that point this question came up to me... thanks Dieter
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RE: [newmellotrongroup] samples and copyright
2011-02-24 by John Wright
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