The Mellotron Group

Weird pairing...

never a real Fleetwood fan either, but Lindsey Buckingham really is a brilliant guitarist.


fritz

 

 


 

 

-----Original Message-----
From: tony1 <atm655@verizon.net>
To: newmellotrongroup@yahoogroups.com
Sent: Mon, Aug 9, 2010 3:54 pm
Subject: Re: [newmellotrongroup] Re: New Digital Mellotron


  
    
                  

I saw Triumvirat open for Fleetwood Mac, who I never cared for anyway.
Wasn't there to see them, but Triumvirat were tight as Hell.
 
Tony1
 
  
----- Original Message ----- 
  
From:   ceccles_ca 
  
To: newmellotrongroup@yahoogroups.com   
  
Sent: Monday, August 09, 2010 1:14   PM
  
Subject: [newmellotrongroup] Re: New   Digital Mellotron
  


    
  
Hans-Jürgen's Triumvirat - A good example of copying someone else's sound.   Fortunately they had talent and wrote a few unique songs.

--- In newmellotrongroup@yahoogroups.com,   fdoddy@... wrote:
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> Copying someone else's sound has great   educational value, imho. It teaches signal flow, exposes a creative process   different than one's own, and is fantastic ear training. I highly recommend   copying another's sound whilst in search of one's own.
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>   "...something nobody heard before"....is a request I get constantly from my   commercial clients...and you get 5 hours to create it. No thank you!
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> Personally, I'd rather create a story than create a   signature.
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> fritz
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> -----Original   Message-----
> From: Mike Dickson <mike.dickson@...>
> To:   newmellotrongroup@yahoogroups.com
>   Sent: Sun, Aug 8, 2010 10:46 am
> Subject: Re: [newmellotrongroup] Re:   New Digital Mellotron
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>   Mark Pring wrote:
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> I now wonder if trying to emulate other peoples   sounds isreally that satisfying, might be better to come up with   somethingnobody has heard before, when my tron is back in action I'm planning   tofeed the output through my microkorg or monotron for what I hope willbe some   interesting sounds.
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> My thoughts exactly. Why copy someone else's   'signature sound'; whenyou can find your own?
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>   Mike
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